Today (July 30th, 2010) music legend Buddy Guy turns 74. To mark the occasion, here’s an article I wrote last summer with some updated tour information. I hope you enjoy it. ~tbb

In the Summer of 2008

I was asked to write a piece on Buddy Guy’s album Skin Deep, which at the time was close to being released. In the article I mentioned how I warmheartedly remembered the music legend’s work from the sixties… I listened to Skin Deep, and immediately loved what I heard, but for some reason it made me drift back to an album Guy came out with forty years earlier.

A Man & the Blues was released in 1968, and today I can still visualize the album cover in my mind… I associate that particular LP to the upbeat atmosphere I was surrounded by at the time… In last year’s article I had to restrain from drifting too much. So I thought it might be cool to take the reflective trip I wasn’t able to make last year…

Church Gig 1968

Now I never normally go to church. That’s because I was more familiar with the synagogue further down the road. I remember thinking even at eight years old, how the Cantor when he sang sounded like Jack Bruce from the band Cream. That’s where my imagination led me even at that young age. A wild association I still get a kick out of telling today… Yes, I fondly recall those times being very buoyant indeed. So you could imagine how anxious I was going to church for the first time.

I helped my brother’s friend and roadie The Big F load the gear out of the basement of our house (where they usually rehearsed) to the church hall. The guys were playing one their first live gigs that night and I was helping them set up. I remember they even brought in a horn section to back them up. The gig was going to be more of a family evening of entertainment; a moment in time where friends, music lovers and neighbors would get together and just have a blast.

My brother’s band eventually got a reputation as a great blues party band. In 1968 my brother and his friends were all teenagers looking for an outlet to express themselves through the love of the music that inspired them. Their enthusiasm and musicianship was well received. The guys loved what they did and it showed.

Several of the songs that my brother and his musician friends rehearsed leading up to that gig were from the album A Man & The Blues. The tunes the guys played were “Mary Had a Little Lamb,” “One Room Country Shack” and they opened with the classic Berry Gordy tune “Money.” Many of those songs were versions Buddy covered on the album.

Back then I was too young to express how the music made me feel. All I knew was how important it felt to be around for some reason. And even though I knew deep down I wasn’t going to be a musician, I did know one thing: I needed to experience more of what was going on. I knew right then that music was going to play a big part in my life. It was just a matter of when.

Buddy Guy

was born in July 30th,1936 to a sharecropper’s family, and was one of five children raised on a plantation near the small town of Lettsworth, Louisiana. He learned to play guitar on a self made diddley bow and eventually began performing in the fifties with local acts in Baton Rouge.

Shorty after arriving in Chicago in 1957, Guy entered guitar battle contests on Sundays and Mondays against west side guitarists Magic Sam and Otis Rush. With help from Muddy Waters, he eventually got a recording contract. Some of his early influences were T-Bone Walker and Lightnin’ Hopkins. Guy also learned a thing or two from Guitar Slim (a.k.a. Eddie Jones)

“The first guitar player I saw putting on a show was Guitar Slim—I must’ve been 13 years old—he came out riding that guitar, wearing a bright red suit. I thought; ‘I wanna sound like B.B. King, but I wanna play guitar like that.”

In 1960 Guy worked at Chess Records and recorded “First Time I Met The Blues.” Later that same year he started working the first of what would be many projects with Junior Wells. As the sixties progressed, Buddy left Chess and soon got on a serious roll. He entered Billboard’s R&B charts, toured all over the world and shared the stage with many of the best musicians around at the time.

A Man and & The Blues is Buddy Guy’s first full length solo LP. It featured Otis Spann on piano, bassist Jack Myers and drummer Fred Below. This recording is essential listening for any fan of the blues old or new. Hearing the music once again certainly reminded me of the impact it played in my life.

As the sixties closed, so did a chapter in many of our lives. My brother and several of his friend’s would leave home and head out to the bigger cities in hopes of that one gig which would get them the attention they deserved… Buddy Guy continued to record throughout the seventies and eighties, but as the blues scene softened, so did the high profile gigs. It would take close to 20 years of perseverance, until new opportunities would flourish for Guy. And when it did, they would be huge! But that’s a story for another post.

You definitely don’t miss the opportunity to see this true blues music legend as he continues his tour throughout this summer and into the fall… Dates and show times are subject to change, so make sure you double check. If you want more information on Buddy Guy you can go to his web site by clicking here….

Buddy Guy Tour Schedule 2010

Latest Dates Announced

09/03/10 Naperville Last Fling Naperville, IL
09/04/10 American Music Festival Daytona Beach, FL
10/01/10 House Of Blues Boston, MA
10/14/10 Rothschild Pavillion Rothschild, WI
10/19-20/10 Birchmere Alexandria, VA
10/22/10 Count Basie Theatre Red Bank, NJ
10/26/10 The Grand Opera House Wilmington, DE
10/27/10 Pullo Center @ Penn State York, PA
10/28/10 Maya Center for the Perf. Arts Morristown, NJ
10/30/10 Westhampton Beach P.A.C. Westhampton, NY
11/05/10 Silverton Casino Las Vegas, NV
02/06/11 Mahindra Blues Festival Mumbai, India

With Tom Petty & The Heartbreakers

07/28/10 Madison Square Garden Arena New York, NY
07/30/10 Birchmere Alexandria, Virginia
07/31-08-01 Wachovia Center Philadelphia, PA

With B.B. King

08/11/10 Hollywood Bowl Los Angeles, CA
08/12/10 San Miguel Indian Bingo/Casino Highland, CA
08/13/10 Chumash Casino Santa Ynez, CA
08/14/10 Harrah’s Rincon Pavilion Valley Center, CA

With The Robert Cray Band

08/17/10 Tulalip Amphitheatre Tulalip, WA
08/18/10 Rogue Theatre Grants Pass, OR

With B.B. King

08/20/10 Ironstone Vineyards Theater Murphys, CA
08/21/10 Mountain Winery Saratoga, CA
08/24/10 Deer Valley Outdoor Theater Park City, UT
08/25/10 Red Rocks Amphitheater Morrison, CO
08/27/10 Zoo Amphitheatre Oklahoma City, OK
08/28/10 Black Oak Amphitheatre Lampe, MO
08/29/10 Allen Event Center Allen, TX
09/11/10 Bull Durham Blues Festival Durham, NC
09/18/10 Sandia Amphitheatre San Diego, CA
10/01/10 House of Blues Boston, MA

With Jonny Lang

10/7-10/8 Northern Lights Theater Milwaukee, WI
10/09/10 Horseshoe Southern Indiana Elizabeth, IN
10/10/10 Sangamon Auditorium Springfield, IL
10/15/10 Historic Surf Ballroom Clear Lake, IA
10/16/10 State Theater Minneapolis, MN
10/23/10 Patriots Theatre Trenton, NJ
10/24/10 The Ridgefield Playhouse Ridgefield, CT
10/29/10 Ulster Performing Arts Center Kingston, NY

Have you seen Buddy Guy in concert before? Anyone checking out the shows listed above? Where were you when Buddy Guy’s 1968 release A Man & The Blues came out? Your comments are always welcome.

The Blues Blogger

“He’s my idea of an up-and-coming blues singer. I don’t see a lot of them out there, but I know one when I see him.” ~Elvin Bishop

It never fails! Whenever I’m writing an article and feeling under the weather, I’ll gaze at my monitor and eventually drift off on some nostalgic excursion. Usually my thought waves take me back to those soulful vinyl grooves of the sixties. That’s one of the biggest reasons why I love music; its ability to transport you back through time…

This weekend though my mind didn’t need to reflect too far back. Instead I got a combined dose of retro and fresh sounds from a new blues/soul release called Name The Day by John Nemeth; a brilliant singer/harp player that suited me perfectly.

John Nemeth

Originally from Boise, Idaho, Nemeth got his start singing in church. In his later teens he’d get his initiation to the blues when a friend introduced him to the music of Junior Wells. Like so many blues music lovers, (John Nemeth included) Wells and that classic Delmark release Hoodoo Man Blues had been a major influence.

Forming Fat John & The Three Slims with his friends while still in his teens, the band got a bit of name around the Boise area at the time. In 2002 Nemeth independently released his first CD called The Jack of Harps. Several years later, Nemeth moved to San Francisco and eventually released another independent disc titled Come and Get It. Backed by Junior Watson and his band; this would eventually lead to being signed by Blind Pig Records.

In 2007 Nemeth’s debut album Magic Touch came out on BPR and he earned a Blues Music Award nomination the following year for “Best New Artist Debut.” Afterward the very popular Love Me Tonight in 2009 would further ignite the performer’s career.

The first time I heard of John Nemeth he was featured on Elvin Bishop’s Grammy nominated The Blues Rolls On in 2008. Bishop was so taken with Nemeth’s vocal style that the guitar legend included him on four tracks.

“When John’s band opened for mine, I knew instantly that he had a great talent. His voice is a national treasure.” ~Junior Watson

John Nemeth’s third release for Blind Pig Records Name The Day is an extraordinary blend of blues and classic soul guaranteed to chase away those dreary sluggish demons that can interrupt your daze. Catchy tunes like the opener “Breaking Free” and the title track “Name The Day” set the tone perfectly; fine examples which showcase that vintage soulful sound. The album continues to roll with songs like the funky driven “Do You Really Want That Woman,” and the blues shuffle “Heartbreak with a Hammer.” All the songs featured on this record are original compositions with the only cover being “Home In Your Heart” which was written by Otis Blackwell and recorded by Solomon Burke.

Musicians

John Nemeth – vocals, harmonica
Austin DeLone – piano, organ
Mike Rinta – trombone
Ed Earley – background vocals
Bobby Welsh – guitar, piano
Steve Willis – background vocals
Frank Bailey – trumpet
Jake Smolowe – organ
Jeff Teczon – tenor saxophone
Nick Fishman – drums, percussion

Side A – Name The Day

Nemeth’s vocal chops and harp playing mixed together with those horn arrangements remind me of some of the classic R&B tunes I heard growing up in the sixties. Artists like James Brown, Sam & Dave as well as those early Buddy Guy sounds are just a few examples. The tasteful guitar textures and piano accompaniment also support Nemeth’s vocals beautifully. It’s really hard to sit still and be glum while listening to the energy and creativity of this awesome release.

And to keep with that vintage theme and the latest increase in vinyl sales, Blind Pig Records has released a 45 RPM single of Name The Day (Side A) and the gospel influenced tune Why Not Me. (Side B) A very cool thing to do for those vinyl music lovers old and new.

Side B – Why Not Me

The excellent musicianship on this record cleared some of the clouds that muddled around in my head. This once again supports one of my major themes on The Blues Blogger; the ability of music to make you feel good, and take you to a positive level you may not of thought possible at that given moment. I for one was caught off guard when I heard Name The Day this weekend. I didn’t know what to expect, but what I got was a soulful treat that is every bit as nostalgic as it is innovative. I feel much better now.

Have you heard of John Nemeth? What do you think of Nemeth’s blend of blues and “vintage soul?” I’d love to hear your thoughts!

The Blues Blogger

Latest Tour Schedule
(Times and dates subject to change. Please check John’s website for updated info.)

JUNE 2010

June 4, 2010 Mountain’s EdgeBend, OR
June 5, 2010 Pines Tasting RoomHood River, OR
June 6, 2010 Lola’s Room at the Crystal BallroomPortland, OR
June 9, 2010 Yale Hotel Vancouver, BC
June 10, 2010 Highway 99 Blues ClubSeattle, WA
June 11, 2010 The Upstage Port Townsend, WA
June 12, 2010 Crossroads Walla Walla, WA
June 15, 2010 Fat Fish Blue Kansas City, MO
June 16, 2010 Fat Fish Blue Kansas City, MO
June 18, 2010 Thunderbird Cafe Pittsburgh, PA
June 19, 2010 Honesdale Roots & Rhythm Festival Honesdale, PA
June 20, 2010 Ukrainian Cultural Center Whippany, NJ
June 24, 2010 Gilly’s Dayton, OH June 25, 2010The Clazel Bowling Green, OH
June 26, 2010 Blues For A Cure at North Star Golf Club Sunbury, OH
June 28, 2010 Fireside Cafe Wingham, ON
June 30, 2010 Montreal Jazz Festival Montreal, QC

JULY 2010

July 1, 2010 Infinity Music Hall Norfolk, CT
July 2, 2010 Harry’s Hyannis, MA
July 3, 2010 Harry’s Hyannis, MA
July 6, 2010 Treasure Lake Ski Lodge Dubois, PA
July 7, 2010 Kclinger’s Hanover, PA
July 8, 2010 Terra Blues New York, NY
July 10, 2010 North Atlantic Blues Festival Rockland, ME
July 11, 2010 Mt. Tremblant Blues Festival Mt.Tremblant, QC
July 16, 2010 Bogart Music Festival Urich, MO
July 17, 2010 Odie’s House of Blues Hot Springs, AR

AUGUST 2010

Aug 1, 2010 Bags In The Bay Blues Festival A Benefit for Save The Bay Emeryville, CA
Aug 14, 2010 Salmon Arm Roots & Blues Festival Salmon Arm, BC
Aug 15, 2010 Salmon Arm Roots & Blues Festival Salmon Arm, BC
Aug 21, 2010 Chenango Blues Festival Norwich, NY
Aug 22, 2010 White Mountain Boogie n’ Blues Festival Thornton, NH

SEPTEMBER 2010

Sept 9, 2010 Biscuits and Blues San Francisco, CA
Sept 10, 2010 Po Boyz Folsom, CA
Sept 11, 2010 Silo’s Wine Bar & Jazz Club Napa, CA

OCTOBER 2010

Oct 17-24, 2010 Pacific Blues Cruise w/ Elvin Bishop’s Raisin’ Hell Revue
www.BluesCruise.com San Diego, CA

The Blues Foundation will present the 31st Annual Blues Music Awards (formally known as “W.C. Handy Awards,”) on May 6, 2010, from the Cook Convention Center in Memphis, Tennessee. Artists, industry reps and supporters from around the world will have the opportunity to celebrate the finest in Blues recording and live performance from 2009.

Growing up in the sixties many of the vinyl LP’s that were spinning around the house featured artists on Delmark Records. It was Delmark’s class acts that inspired so many of us, and as a result would contribute to my initial introduction to the blues. Today any discussion regarding the genre and its illustrious past would not be complete without mentioning this historic label.

When I write about the blues I always tend to reminisce. It never fails whenever I hear a particular song or do some research; I seem to have some snippets of metaphors that have me drifting off…

Flashback 1967

Our car soared through the stillness of the dawn. Inside the vehicle you could hear my brother playing his lone acoustic guitar; recreating those classic sounds with tunes from blues legends like Junior Well’s “Hoodoo Man Blues” and Magic Sam’s “All Your Love.” The music captured the spirit of the moment and would inevitably be embedded into my earliest memories.

My father was taking my brother and me on one of our trips to visit family in Chicago. The three of us always left first thing in the morning, and I don’t mean 7 am. Some of that innate behavior my dad was known for (no doubt where I get it) had us on the road by at least three.

Hours later with the sun gradually rising, I opened my eyes to these sweet soulful sounds. My brother always took his position in the backseat where he had more room to do his thing. A young teen at the time with many years of practice under his belt, my bro played songs from LP’s he and my father had collected. Many were familiar to me as I heard him play it before in the room we shared while growing up… My brother’s guitar playing always compelled my dad to reach into his pocket and take out his harmonica. Of course he continued driving while playing his part as safely as possible. Just like a roller-coaster, the upbeat moments from our past are always the most treasured.

Back to the Present – Delmark’s 2010 Blues Music Award Nominees

Yes, The Blues Blogger is primarily a reflective blog indeed. But while these posts have me reminiscing about the past, I thought it might be cool to now take a look at some of the artists presently on Delmark’s roster which are currently nominated at the 2010 Blues Music Awards. The following lists of nominees have brilliant soulful backgrounds with strong links to the past. Their creative energy, commitment and talent are truly extraordinary.

DVD of the Year Nominee

In the spring of 2008 Delmark sponsored a 55th Anniversary party at Buddy Guy’s Legends club in Chicago featuring several of their artists. They celebrated the past while forging into the future, and created a moment with a DVD/CD compilation highlighting the night’s event for all to enjoy and forever recall.

Let’s Not Forget – The Sideman of the Year -

Bass player of the Year- Bob Stroger (on It Ain’t Over)
Drummer of the Year – Kenny Smith (on It Ain’t Over)
Guitarist of the Year – Lurrie Bell (on It Ain’t Over)
Harmonica player of the Year – Billy Branch (on It Ain’t Over)
Horn Player of the Year – (sax) Eddie Shaw (on It Ain’t Over)

Album of the Year Nominee

Sharing the stage in the late fifties and sixties with fellow guitarist like Magic Sam and Luther Allison, Eddie C. Campbell is one of the last of the “West Side” blues artists remaining. His name is not as prominent as other blues performers of the past, but his resume is impressive. He schooled his craft playing behind greats like Little Walter, Jimmy Reed and Howlin’ Wolf. He was also a member of Willie Dixon’s Chicago Blues All-Stars band.

Tear This World Up is Eddie’s first album in a decade, and with a current nomination for “Album of the Year” at this year’s 2010 Blues Music Awards, It’s obvious that Campbell hasn’t lost a step in the creative process…

I should also note that on May 6th, 2010 the same day as the BMA’s, Eddie C Campbell will be celebrating his 71st birthday. Now wouldn’t taking home the award be the icing on the cake?

Traditional Blues Female Artist of the Year Nominee

Shirley Johnson

Getting her start singing gospel music in church at six years old in her hometown of Norfolk, Virginia, Johnson has been singing all her life. She eventually moved to Chicago in 1983 and continued her love for the blues.

In 2002 Delmark Records released her American debut CD Killer Diller; a record with a wonderful variety of gospel, R&B and soul. With her latest CD Blues Attack, Johnson attests that if you like your blues with lots of soul you’ve come to the right place. With this year’s nomination, the future for Shirley Johnson continues to look bright.

Zora Young

Like Shirley Johnson, Zora Young grew up singing gospel. Re-locating from her West Point, Mississippi home to Chicago at the age of seven, Young continued her gospel roots attending the Greater Harvest Baptist Church. A relative of blues legend Howlin’ Wolf, Young had music in her blood from day one.

As time moved on, she got inspired by R&B and would eventually progress into the strong blues vocalist she is known for today. Young has performed with artists such as Junior Wells, Buddy Guy, Bobby Rush, Albert King and B.B. King. She has also recorded with Hubert Sumlin, Mississippi Heat and Willie Dixon among many others. Zora also has 30 tours of Europe to her credit as well being a featured performer six times at the Chicago Blues Festival.

The French Connection her latest release is collaboration with French multi-instrumentalist Bobby Dirninger. The CD showcases 14 tracks featuring three different bands and includes five live songs with nine studio recordings. The live tunes on the disc are from three different shows from Young’s 2008 tour in France. An eclectic record with half acoustic and the other half electric, The French Connection is a wonderful showcase of Young’s array of talent.

So there you have it…

A mixture of personal memories from yesteryear, a look at some of Delmark’s artists from the past and present, as well as a peek at the label’s nominations at this year’s 2010 Blues Music Awards. Good luck to all the nominees!

Are you familiar with any of the artists and their music featured in this post? Do you have any Delmark favorites that you would like to discuss? I’d love to hear from you! Your comments are most welcome and help broaden the subject matter which can’t be delivered in one post alone.

The Blues Blogger

“The truth, according to this remarkable album, is that Ruthie Foster is one of America’s finest soul-blues artists… a full-on blast of soul and blues… The combination of a talented band, powerful songs, and Foster’s roaring gospel-inspired vocals leaves Truth with no weak spots among its dozen tracks. If this one doesn’t elevate Foster to the next level of popularity, it’s impossible to imagine what will.”
~Blues Revue

Last Sunday Afternoon

When you love music as much as I do, working on a weekly blog certainly has its limitations. There’s so much amazing music (past and present) that I enjoy listening to, I only wish I had time to generate more posts. Last spring one of those releases I heard but never got the opportunity to write about was Ruthie Foster’s album The Truth According to Ruthie Foster. Her energetic spirit and vocal prowess is absolutely wonderful. So when I heard the news of Foster’s Grammy nomination alongside performers such as Susan Tedeschi, Mavis Staples, Robert Cray and Derek Trucks for Best Contemporary Blues Album at this year’s upcoming awards, my interest in this extremely talented artist was rejuvenated.

Since it was unusually warm this past weekend, the atmosphere and good timing gave me an idea to do something that was long overdue…

I walked upstairs and went into the living room. My golden retriever Lucille was curled up basking in a spot on the carpet where the early afternoon sun shined brightly. Noticing I was staring, she nonchalantly glanced up at me with a tranquil gaze as if to say, ”Please tell me today is the day?”

With such a hectic schedule as of late, Lucille hasn’t been getting the exercise she’s used to, and I was determined to make it up to her. With an animated smile, she briskly headed for the front door as I displayed the leash that I was hiding behind my back… With my MP3 player in hand, Foster’s upbeat funky tune “Stone Love,” started to play as Lucille and I began our invigorating walk down the sun drenched avenue.

Ruthie Foster

is originally from Gause, Texas. Raised in a household with gospel roots, she was also exposed to a lot of jazz and blues. Foster always knew music was in her blood, even before her first appearance as a 14 year old soloist in her uncle’s choir. Moving to Waco Texas to attend McClennan Community College, she mixed music classes and audio engineering with visits to clubs at night. In her early teens Foster led a blues band in biker bars and other various settings from Dallas to San Antonio. In the late eighties Foster join the Navy and worked with an ensemble called Pride, where she traveled around at recruitment drives playing funk hits.

Foster moved to New York in 1990 and immersed herself in the folk scene and eventually landed a deal with Atlantic Records. But the label didn’t share her vision of what kind of artist she should be. Family obligations would bring her back to Texas, where she re-connected with her roots and put together a string of new material that would get her work both in a band setting and as a solo artist.

“It didn’t matter to me what genre it was,” she remembers. “I just took it all in as great music – music that moved me.”

In 1997 Foster released the album Full Circle before teaming up with Blue Corn Music, and then released Crossover in 1999, Runaway Soul in 2002, Stages (featuring a series of live tracks) in 2004, Heal Yourself in 2006 and The Phenomenal Ruthie Foster in 2008.

The Truth According to Ruthie Foster

Recorded in Memphis at Ardent Studios with the assistance from players such as guitarist Robben Ford, (The Yellowjackets, Bob Dylan, Joni Mitchell) well known Memphis keyboardist Jim Dickinson (the Rolling Stones, Aretha Franklin), organist Charles Hodges (Al Green, Ann Peebles) and the Memphis Horns. This latest release is Ruthie Foster’s most catchy and successful work to date. And with a Grammy nomination for Best Contemporary Blues Album, the truth has never looked brighter.

Later Sunday Night

Most of the tunes featured on this album are influenced by early soul, gospel, funk and R&B. And as I look back with Lucille now contently snoring next to me, it seemed like the stress of everyday life were washed away at least for that moment during our afternoon jaunt… Ruthie Foster’s perspective on music is something that many of my readers have heard me say time and time again. In Ruthie’s words, “Music is a healer. It’s energy. And it goes into everything…”

If you are unfamiliar with Ruthie Foster then I can’t recommend this awesome album enough. It may just end up making your day. It sure did for me and my faithful hound… For more information and concert dates you can go to Ruthie Foster’s website by clicking here.

What do you think? Is Ruthie going to bring home the award on January 31st? Your comments are welcome.

The Blues Blogger

“An engaging, updated introduction to the world of Chicago blues… Captures the musical spirit of the city and traces its development through the past 50 years. This album celebrates the past by breathing new life into it. ” ~ PopMatters

On Sunday January 31st, 2010

they’ll be handing out the 52nd Annual Grammy Awards. There are two categories: Best Contemporary Blues Album & Best Traditional Blues Album that for the most part relate to this blog… I wanted to briefly mention one of this year’s Grammy nominees – Raisin’ Music’s Chicago Blues: A Living History. Produced by Larry Skoller, this extraordinary and fresh voyage through blues history is sure to generate some cool moments for most fans of the blues. It’s also a terrific collection for those who are new to the genre and looking for a vibrant and entertaining reference to Chicago’s distinctive blues history.

During the late 40s and early 50s, a change of style from the Mississippi Delta sound was taking place which eventually saw the Chicago music scene as the dominant voice of the blues. This was mostly due to the migration of thousands of African-American farm workers from the south to the industrial cities of the north like Detroit and Chicago during World War II. In search of a better life, a number of talented blues musicians like Muddy Waters and John Lee Hooker were part of that historic trip north.

Nominated For Best Traditional Blues Album

Chicago Blues: A Living History

came together in April of 2009 when local veterans Billy Boy Arnold, John Primer, Billy Branch and Lurrie Bell successors of the Chicago Blues landscape teamed up to pay tribute to the evolution of Chicago Blues from 1940-1991. Together they lead a fantastic group on songs made famous by legends like Big Bill Broonzy, Elmore James, Willie Dixon and Buddy Guy just to name a few. During this past summer of 2009, the band toured Europe and played to packed crowds at fifteen major music festivals in seven countries.

The Living History Band

Billy Flynn – Guitar
Matthew Skoller – harmonica
Johnny Iguana – Keyboards
Felton Crews – bass
Kenny “Beedy-Eyes” Smith – drums

Special Guests

Carlos Johnson – guitar and vocals
Mike Avery – vocals

I believe we can all learn something about life and communication by exploring the history of the blues. Any natural art forms’ roots should always be recognized and we need to acknowledge the historical context which blues developed. All popular music today is based on the blues and without that knowledge people are missing out on the fundamental aspects like jazz, rock ‘n’ roll, soul and R&B which derived from it. Its down-home honest/raw energy is medicine for the soul. The music assembled on this disc can’t help but make you feel good…

I’ll resist the temptation to elaborate further and let the music and videos featured in this post speak for itself… I know I’ll be paying close attention to this category come Grammy time on Sunday January 31, 2010. If you’re interested in further information and band bios you can go to Chicago Blues: A Living History website by clicking here…

Do you have any favorite Chicago blues artists which are featured on this disc? Please feel free to add your comments below. Your input will further enhance the post and is always appreciated.

The Blues Blogger