“There is nothing wrong with electronic music as long as you’re putting some soul behind the technology.” ~ Joe Zawinul

Today marks what would have been Joe Zawinul’s 78th birthday. I remember first hearing Zawinul in my early teens when I worked part time in the blues and jazz department of a trendy record boutique back in the seventies. One of my many responsibilities was to keep all the albums in the bins stocked properly and re-order the hot selling items. I loved sifting through all the album covers and reading the liner notes. Something I continue to enjoy today. It was the intriguing vinyl covers of Weather Report where my personal discovery of Joe Zawinul began.

It was also around this time frame that I recall my interest for writing started. And when I heard the eclectic mix of sounds on albums such as I Sing The Body Electric, Sweetnighter, and later the masterpiece Heavy Weather, it opened the door to a whole new world of imaginative thought. I don’t think there’s been a single song that has made me tap my foot or snap my fingers more to its groove than Joe Zawinul’s Birdland. How sad it was to hear of his passing from a rare form of skin cancer back on September 11th 2007 at the age of 75.

Joe Zawinul

Born July 7th 1932, Zawinul grew up in a poor working class family during World War II in Austria. He played accordion on the streets to earn money and received classical piano training at the Vienna Conservatory. After the war, he grew interested in American jazz; and started making a name for himself on the local jazz scene.

“One thing about Viennese musicians, they can really groove, more than even the German bands can,” “It’s something in our nature, perhaps. We’re cosmopolitan and interracial — Czech, Slavic, Hungarian, Romanian, Bulgarian, Turkish a little bit.”

Zawinul came to the United States in 1959 on a scholarship to study at the Berklee School of Music in Boston, but left to join Maynard Ferguson’s big band. He next landed a gig with Dinah Washington; his funky style can be heard on her 1959 hit What a Difference a Day Made.

Zawinul stock started to rise after joining alto saxophonist Cannonball Adderley’s band in 1961. He composed many tunes, but it was most notably the gospel-influenced, Mercy, Mercy, Mercy, which climbed the pop charts and won a Grammy for Adderley.

In the late ’60s, Zawinul recorded with Miles Davis. His tune In a Silent Way served as the title track for the Miles’ first venture into the electric arena. Zawinul’s composition Pharoah’s Dance was featured on Davis’ groundbreaking 1970 jazz-rock fusion album Bitches Brew, which won Davis a Grammy in 1970.

In 1970, Zawinul and saxophonist Wayne Shorter founded Weather Report and produced a series of albums. Weather Report’s album Heavy Weather with Jaco Pastorius enjoyed its biggest commercial success in 1977. Zawinul went on to form The Zawinul Syndicate in 1986. For the next 20 years The Zawinul Syndicate brought together a global village of musicians who recorded such albums as the Grammy-nominated My People (1996) and World Tour. (1998)

Joe Zawinul did for jazz what Clapton and Bloomfield would do for the blues; becoming the leading force behind the often termed Electric Jazz movement. Like I said earlier, I listened to a lot of Zawinul’s music and found his style, groove and experimentation incredibly contagious. He is one of the people responsible for my appreciation for electric jazz; leading me to other jazz artists that would continue to inspire me to this day.

Are you familiar with Joe Zawinul and his musical legacy? Any moments you’d like to share? Please add you comments or birthday wishes below.

The Blues Blogger

Music Was Everywhere

As a kid growing up in the sixties music captured my imagination… Back then I was still way too young to express myself. But I did know I was hooked and really didn’t stand a chance. I had an overwhelming desire to be involved somehow, but not necessarily as a musician. I remember my brother playing guitar along to the sounds of John Mayall and The Blues Breakers featuring Eric Clapton in the room we shared. And I also recall the blazing guitar riffs of Jeff Beck with The Yardbirds playing down the hall in my sister’s room. This set the tone and the learning blocks for my love of the blues…

Welcome New Visitors

For some of you, this will be the first visit to The Blues Blogger site. You may have been doing a search on “the blues” or happen to just stumble upon this blog. Perhaps you arrived through Twitter and other social media sites?

However, there are a select few that have been specifically invited here as my guest this time around. Some of us are just getting acquainted and others have known me for many years. They are now seeing what I’ve been up to, not only for the past 28 months, but in some cases the last 4o or more years. Now that I’ve broke open the dam a little, I’d like to officially welcome you to The Blues Blogger’s home on the internet. Please relax, browse around and make yourself comfortable…

As you check out the pages it’s important for you to know that without my dedicated online readers/friends who regularly stop in and say hello, this music site would not nearly be as much fun. Their sincere and warm comments really help enhance the posts I write. Please know that your input is always welcome and very much appreciated.

Often I’ll receive some pretty cool emails and while it’s difficult to get to them all, I do try my best. One of my favorite’s are the ones that will say, “I think (you guys) did a really good job this week.” Although I’m very flattered, for the record The Blues Blogger is entirely a one man show. I work on these posts in my spare time in the evenings and weekends and publish a weekly article on either Sunday or Monday nights. I never claim to know it all. The purpose of this blog was always just a therapeutic way to express myself while either remembering some music from my past or some new material I’ve come across, or which may have been brought to my attention.

Would I like to do two three or more articles a week? You better believe it! It boggles my mind when I see that my current internet statistics continue to rank above some record labels and artists that I admire. (There are many reasons for this that go beyond content which involves SEO, WordPress and the power of its blogging platform.) At the same time I do get a little frustrated because my creative side believes much more can be done. I receive many requests to write reviews, post press releases and upcoming information on artist’s performances in clubs and festivals etc… Unfortunately with a weekly post its hard to keep up with everything…

I have some really good ideas of what I’d do given the opportunity, and at the same time give back to those that have enriched my life so very much. But for me (as it is for many of us) family comes first and realistically my day gig is what helps turn on the lights. For those who’d like to see more posts, while I appreciate your enthusiasm, until a realistic opportunity presents itself where I’m able to afford more time and take The Blues Blogger up a notch, I’ll keep on doing what I’ve always done, and present to you (as often as possible) music that keeps me rockin’. And hopefully we’ll continue to hit some mutual chords along the way…

For All My New and Recently Invited Guests

here are some links to some of the articles I’ve written here as The Blues Blogger. These represent only a few of the many musical posts I’ve done from the Fall of 2007 to the present… I hope you enjoy them as much as I loved putting them together:

Blues Legends

Albert Collins: Master of The Telecaster
Buddy Guy: A Man & the blues (1968)
Elvin Bishop: The Blues Rolls On
Freddie King: Is a Blues Master
Johnny Winter: Self Titled Album (1969)
Junior Wells: The Hoodoo Man

Magic Sam: Sliding Back to the Past
Muddy Waters: Fathers and Sons (1969)
Otis Rush: I Can’t Quit You Baby
Remembering Little Walter
The Paul Butterfield Blues Band: East West (1966)
Willie Dixon I Am The Blues

Inspiring Newer Artists

Joe Bonamassa: Live From The Royal Albert Hall DVD Review
Mike Zito: Inspiring New Release Pearl River
Murali Coryell: Sweet New Release Sugar Lips

Sensational Women in Music

Ana Popovic: New Release Blind For Love
Beverly “guitar” Watkins: Playing It Like a Man
Etta Baker: Queen of the Piedmont Blues
Janiva Magness: Blues With a Soulful Expression
Joanne Shaw Taylor: Time Has Come With Debut Release White Sugar
Memphis Minnie: Blues Pioneer
Nina Simone: My Baby Just Cares For Me
Susan Tedeschi: Going Back to the River With Her Latest Release
Tal Wilkenfeld: Bass Guitar Prodigy
Shemekia Copeland: Upcoming Release is Called Never Going Back

Great Blues Rock and Soul

The Allman Brothers Band: The Road Continues
Blind Faith: Flash Back Summer (1969)
Boz Scaggs: (1969) Loan Me a Dime
George Thorogood & The Destroyers: The Dirty Dozen
Joe Louis Walker: Electrifying New Album Between A Rock And The Blues
The Robert Cray Band: New Album “This Time” Keeps You Rockin

Jazz Selections

Gene Krupa: Remembering 100 Years
Jaco Pastorius: The Great Innovator
Legendary Reunion: Return to Forever 2008
Steve Khan: The Blue Man

Music History Reflections

Beale Street: The True Home of the Blues
The Jewish Influence in Blues and Jazz
Willie Nelson & Wynton Marsalis: Play The Music of Ray Charles

I Love Music

These were the first three words back in the fall of 2007 that I wrote for this blog. As I’ve said many times before, music has intense healing powers and for me is the greatest medicine I know of. Perhaps Jimi Hendrix describes it best when he said, “Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music.”

Yes, this is a reflective blog, but I also personally believe that 2010 will be a tremendous year in music. And as we adapt to this new age of sharing information, seasoned musicians and upcoming blues/jazz artists will be recognized more than ever for their contributions and commitment. It’s their heartfelt efforts that continue to motivate people like myself in a way that would not be possible without them…

Now it’s your turn… Are any of your favorite musicians on the list above or playing in these videos? Any musical moments that you recall while growing up? Your comments as usual are always welcome…

All the Best in 2010,

The Blues Blogger

In many of my past articles I often reflect on the different genres of music that surrounded me while growing up. I recall my parents listening to Ray Charles and fondly remember how his music caught my imagination back then. There was always a brilliant blend of vibrant energy that could take an otherwise dull day and change it into a delightful scene in a finger snap. It was some of Ray’s tunes that influenced many of my earliest creative writing projects I worked on as a kid… I was reminded of some these eclectic moments while watching Willie Nelson and Wynton Marsalis Play the Music of Ray Charles DVD…

Music is a journey to me… I love taking the educational tour down that creative road and exploring all the intersections as they form into one soulful passage. You may not always like everything you see along the way, but there’s usually something interesting to talk about.

I decided to view this DVD in my home gym and get in a work out at the same time. As a writer I find exercising helps me work through some of those thought processes… Unfortunately my golden retriever Lucille had to look on with sadness as she knew a walk was not a reality at this moment. Eventually she closed her eyes to the steady burr of the treadmill and the “diverse grooves” that set my mind in gear…

Originally Filmed and Recorded in February 2009

This DVD featuring country music legend Willie Nelson and Pulitzer Prize-winning jazz artist Wynton Marsalis is the second collaboration for the duo. The first occasion was two years prior and resulted in the album “Two Men With The Blues.” This time they show even more in common by sharing their admiration and mutual respect for the late music mastermind Ray Charles.

There are three great musical art forms in America that really come from the grassroots, and that’s jazz, country and blues. All three intersect together in Wynton Marsalis, Willie Nelson and Norah Jones. It’s a perfect collaboration, and each one of them is a leader in their own art form.
~ James Ackerman

Frederick P. Rose Hall

Commonly known as “The House of Swing,” this hall is the world’s first performing arts institution devoted entirely to jazz. And it’s New York City’s Jazz at Lincoln Center home and the setting for this rare two-night performance. Along with the charming and talented Norah Jones, all these wonderful performers explore the legacy of Charles by weaving a collection of 15 songs that tell the story of a love affair through its many stages. This cool blend of musical styles creates a unique atmosphere that I found very intriguing indeed.

The tone is set with “Hallelujah (Boy I Love Her So),” featuring Nelson’s long time harmonica player Mickey Raphael along with some improvised guitar riffs by Willie and company. Norah Jones is introduced for the song “You Are My Sunshine,” which is played in an exclusive and dissimilar manner. Nelson then leaves the stage for Jones to sing lead for the number “Come Rain or Come Shine.” Mellower than the previous selections, it brings to mind those smoky fifties jazz club metaphors. “Unchain My Heart” one of my favorite tunes Ray Charles recorded features extensive solos from Raphael and drummer Ali Jackson.

Musicians

Vocals and Acoustic Guitar:
Willie Nelson

Trumpet and Vocals
Wynton Marsalis

Vocals:
Norah Jones

Harmonica:
Mickey Raphael

Piano:
Dan Nimmer

Bass:
Carlos Enriquez

Drums:
Ali Jackson

Saxophone:
Walter Blanding

Set List

01. Hallelujah Love Her So
02. You Are My Sunshine
03. Come Rain Or Come Shine
04. Unchain My Heart
05. Crying Time
06. Losing Hand
07. Hit The Road Jack
08. I’m Moving On
09. Busted
10. You Don’t Know Me
11. Here We Go Again
12. Makin’ Whoopee
13. I Love So Much (It Hurts)
14. What’d I Say
15. That’s All

The entire show has a very loose, spontaneous vibe. From “Crying Time,” “Hit The Road Jack,” “You Don’t Know Me” to “What I’d Say,” and the closer “That’s All,” there’s some fantastic moments on this DVD that take the viewer on a sundry adventure.

Bonus Features Include

never before seen rehearsal footage, interviews and photos that documents how this historic event came to play… More appropriately suited for a relaxing evening sipping wine by the fire rather than a treadmill workout, I still found Willie Nelson & Wynton Marsalis: Play The Music of Ray Charles and this interpretation of his work very satisfying. The music brought back early memories of my childhood when I would pretend I was a screenwriter and make up all kinds of crazy scripts. During those moments I would often use the songs of Ray Charles to help my imagination drive the scene. His legacy will always have a meaningful significance to so many of us, and this DVD continues to remind us that his spirit will forever live on through time…

What words come to mind when you think of the work of Ray Charles? Do you have any favorite songs of Ray Charles that bring back memories for you? Your comments are always welcome.

The Blues Blogger

This is an article I wrote last year… As there are so many new readers of The Blues Blogger in 2009, there’s a chance you may have missed this one. If you’ve already seen this, I hope you enjoy it the second time around…

November 2008

I used to get a little down around this time of season. Spring and summer were definitely my favorite seasons, and when it came time to turn the clocks back for the fall and winter, a wave of melancholy would set it in for a little while… For many reasons, I don’t feel that way anymore. The cooler darker months that lay ahead don’t have that same dismal effect on me. I look forward to coming home to my family, exercising and getting comfortable by a nice fire. And just let my thoughts drift off while writing…

My online persona of The Blues Blogger has brought out a side of me that helps generate that positive attitude. I owe a lot of that to my loyal readers that have been there over the course of this site’s development. Thanks for being a part of the wonderful growth of this reflective musical blog…

One of my personal favorite Blues Blogger articles was something I wrote on legendary bassist Jaco Pastorius… At the time I was writing that piece, I was also reading about Australian bass prodigy Tal Wilkenfeld whose latest accomplishments have been nothing short of mesmerizing. As different as Jaco and Tal may be, I discovered a similar tone. I became interested in writing something about Wilkenfeld, as she is an extremely talented individual. She has a mature soul and I hear many influences flow throughout her playing. One thing for sure, she is a very cool and extremely entertaining young lady to watch.

Tal Wilkenfeld

was born in Sydney Australia… She started to play guitar at 14, and then later switched to the bass 3 years later. Wilkenfeld would discover that the feel of the bass best matched her personality and form of expression.

“I’ve always just picked up any instrument and been able to play it― I could sit down at the drums or the piano and just play for fun,” Tal says of her musical gifts. “But as soon as I started playing bass I knew it was my instrument. It was like, ‘Yes this is it. I don’t even want to play guitar anymore, this is amazing.”

Making a bold move, Wilkenfeld decided to drop out of high school at 16 and move to the United States; choosing to spend her time focusing on a music career. She first settled in Los Angeles and after completing school at The Los Angeles Music Academy, moved to New York City. It didn’t take long for Wilkenfeld to get work. She started performing as a side person and band leader and eventually gained recognition around New York’s jazz clubs.

After only several months of bass playing, she was offered an endorsement deal with Roger Sadowsky; an independent guitar and bass designer and manufacturer… At the age of 20, she recorded her debut album Transformation. It features musicians Wayne Krantz, Geoffrey Keezer, Keith Carlock and Seamus Blake. Tal not only played bass, but composed, arranged and also produced the album. Shortly after Transformation, she would go on to have a guest spot with The Allman Brothers Band.

The following year Chick Corea, who had heard about Wilkenfeld, was looking for a bass player. Tal goes on to say that…

“Chick had heard about me and was looking for a bass player and so I sent them some of my stuff. Then I got this call from his people and they said: ‘Hey, do you want to do these gigs in Australia?’ And I was like, ‘Yes, sir!”

The gig that got her an incredible amount of public awareness was her collaboration with Jeff Beck for his summer of 2007 European tour. After playing in Europe the group would team up with on Eric Clapton’s Crossroads Guitar Festival in Chicago.

In November 2007, while playing another gig with Beck at Ronnie Scott’s jazz club in London, Tal was joined on stage by Eric Clapton; a truly incredible accomplishment to cap off the year.

Tal Has Also Appeared

with musicians such as: Herbie Hancock, Steve Vai , Joss Stone, Susan Tedeschi, Hiram Bullock, Wayne Shorter and Corinne Bailey Ray. In addition she has been voted as “The Years Most Exciting New Player” in Bass Players 2008 Readers Choice Awards. Quite an impressive portfolio by any veteran’s standards let alone a 22 year old who’s been playing the bass less than five years.

It’s hard not to notice Wilkenfeld’s incredible achievement. Her story is truly inspiring! Tal’s haunting soulful sounds may even of had the great innovator Jaco nodding with approval.

If you’re looking for more information on Tal Wilkenfeld you can go to her website… If you’re totally unfamiliar, perhaps a cool place to start is Wilkenfeld’s MySpace Page…Upon entering you will be greeted with a funky introduction that will help settle you in…

If this is the first time you’ve seen the videos in this post, then you’re in for a real treat… Are you familiar with Tal’s incredible musical journey? Your comments are welcome as usual…

The Blues Blogger

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