Entries Tagged as 'Reflections'

Willie Dixon: I Am The Blues

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Today music legend Willie Dixon would have been 95 years old. The following is a piece I wrote in the spring of 2009. I’ve decided to re-post it to commemorate the man and this day in music history. And also for those who missed the article the first time around.
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Being so young, I never knew the significance of the music I listened to back then… I just knew it moved me in a way I could never quite explain. ~ tbb

In The Year 1970

my brother and several of his friends packed their bags and followed their dreams. Their brash youthful spirit drove them to bigger places as they made a serious attempt at a career in the music business. For me at the time, I was glum. I missed those magical moments when the boys would rehearse in the basement of our house… And so did The Big F who was my brother’s oldest friend.

The Big F was the roadie/bodyguard for the bands my brother was in. When my brother left town, he adopted me as a kid brother and often picked me up to hang out. One thing for sure, I never had a problem with bullies whenever I hung around with The Big F. The man loved his music and would invite me over to his place where I marveled at his record collection. He would let me pick any album I wanted to listen to… I recall Willie Dixon’s I Am The Blues being a very intriguing choice back then…

The Big F had a drum kit in the basement of his house, and always played along to the tunes. And would often spring off his stool, grab some spoons and continue to tap along the walls, lamps, light switches and beverage glasses…

I Am the Blues

This is an album featuring some of Dixon’s classic material but this time with Willie showcasing his own creations. Willie Dixon was a force to be reckoned with and his presence continues to be felt in even today’s most modern blues and rock performers.

Here are the tracks on this album and some of the popular artists that performed them:

“Back Door Man” – The Doors.
“I Can’t Quit You” – Led Zeppelin.
The Seventh Son” – Sting
“Spoonful” – Cream.
“I Ain’t Superstitious” – The Yardbirds.
“You Shook Me” Led Zeppelin
“I’m Your Hoochie Coochie Man” – Muddy Waters.
“The Little Red Rooster” – The Rolling Stones.
“The Same Thing” – Muddy Waters

This album only represents a small portion of Willie Dixon’s contribution to the music world. Many people today are unaware that Dixon was the original composer of many of the classic songs we know and love… His singing on I Am The Blues may not be as distinct as those who adopted these tunes, but it’s very humbling to hear the master voice his own work. If you haven’t heard this album before, or just looking to rediscover a gem, you’ll love this terrific piece of music history… Very cool and inspiring indeed.

Willie Dixon

was born July 1, 1915 in Vicksburg, Mississippi. Dixon was first introduced to blues as a teenager when he served time on prison farms in Mississippi. He wrote poetry and adapted them into songs.

“The blues will always be, because the blues are the roots of all American music. As long as American music survives, so will the blues.”

In 1936 Dixon left Mississippi for Chicago. He stood tall and weighed in at over 250 pounds. Taking up boxing; he became successful enough that he won the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. Dixon even turned professional and worked briefly as Joe Louis’ sparring partner. His brief boxing career ended after getting into a money dispute with his manager.

After composing and playing in many local groups, Dixon eventually signed to Chess Records as a recording artist. He began performing less and started getting more involved with the label. Dixon became a full time employee with Chess in 1951, where he acted as producer, A&R talent scout, session musician and staff songwriter. His relationship with the label was nervy at times, but his output and influence was extraordinary. He worked with all the greats such as Chuck Berry, Muddy Waters, Howlin’ Wolf, Little Walter and Sonny Boy Williamson II, just to name a few.

Later in his life, Willie Dixon became a diligent representative of the blues and a vocal supporter for his peers founding the Blues Heaven Foundation. The organization works to preserve the genre’s legacy and protect copyrights and royalties for blues musicians who were exploited in the past. The foundations’ current vice president is Willie’s grandson Alex Dixon…

It should be noted that Alex Dixon came out with a CD entitled “Rising from the Bushes” last spring… For more information you can go to the following site.

Willie Dixon was granted a Grammy Award in 1989 for his album Hidden Charms. He was also inducted into the Rock and Roll Hall of Fame in the “early influences” (pre-rock) category in 1994.

It’s impossible to cover the incredible legacy of Willie Dixon in just one post. So I won’t even attempt it… Dixon was undeniably the greatest blues songwriter of his era and is credited with writing more than 500 songs by the end of his life.

Now it’s time to turn this post over to the readers… So what are your feelings? How familiar are you with his 1970 release I Am The Blues? Any Dixon tunes covered by other bands or musicians that are your favorites? Your comments and birthday wishes are welcome below…

The Blues Blogger

Robert Johnson: Stop Breakin’ Down

Today would have been Robert Johnson’s 99th birthday. I’m not sure what I could ever say about Johnson that hasn’t been said, written or played before. I wanted to put together a post to commemorate the day. But I really didn’t know where to begin, and how to put together something concise that was educational and entertaining in one blog post.

So I decided to do something a little different.

There’s a film called “Stop Breakin’ Down” by Glenn Marzano. This was completed as a thesis project when Marzano was a student at Loyola Marymount University in 1999.

His Synopsis: Who was Robert Johnson?

Everyone who has read, listened or played a Johnson tune, has their viewpoint. The film looks at these varying opinions, and is built around the night of his murder utilizing flashbacks, his relationship with Son House, and two reasons for his rapid guitar skills… One of those being the infamous crossroad legend.

I’ve included Marzano’s full 25 minute short film in this post. It’s extremely well done and thought you might enjoy the story. There are links just below the film that give more information about the project. Please feel free to explore.

Do you have a favorite Robert Johnson song or story? What do you think of the idea of featuring more short films here? I love to hear your comments!

The Blues Blogger

Remembering Little Walter …

The following article was originally featured Dec 3rd, 2007 on blogcritics.org. Coincidentally a few weeks later, Little Walter was inducted into The Rock N Roll Hall of Fame. The timing made this a very popular piece… As May 1,2010 would have been Little Walter’s 80th birthday, I’ve re-posted the article adding the video below for any of my readers who might have missed it the first time around. ~tbb

Rehearsal 1968

I love Saturdays… In the basement of our house we were getting ready for another band rehearsal in the afternoon, and there was no place I would rather be. However, there were a few other things that captured my attention. I didn’t have many, but they were some shows on TV I liked to watch. Programs like Underdog, The Flintstones, Spiderman, Journey to the Center of the Earth, and then American Bandstand. Why not? After all, I was only eight.

My brother and I would have canned spaghetti for lunch. After that he’d indulge in a piece of chocolate cake and a slice of processed cheese, which made me wince with disgust.

While helping setup for practice, I would pay close attention to what needed to be done, and learn as much as possible.

BROTHER: Whatever you do, don’t fart around with the gear. I’m serious.

TBB: Don’t worry. I wouldn’t think of messing with everyone’s stuff.

BROTHER: The last time I left you alone you bit my guitar. I see those bucktooth marks every time I play.

TBB: That was years ago… Besides it adds some character.

BROTHER: That type of character I can do without.

My brother had to leave for a while to get something that can only be left to the imagination. My parents were at work and my sister was nowhere to be seen. No one thought much of leaving a kid alone for a few hours back then. Besides I could be trusted. I was left alone to gawk at all the gear. But I would never think of actually sitting down by the drum kit… Well… maybe just a few snaps on the snare…

It sounded good to pound away at the drums. I would imagine I was Gene Krupa and continued to hammer away… How terrible I must have sounded. But it sure felt great… I then went to the bass guitar, picked it up, took a seat and plugged into the amp. Cranking the volume I plucked away at a few of the strings and decided to stop when a bit of plaster came off the ceiling and landed onto the floor… Hmm… maybe I should clean that up.

I grabbed my harmonica that I received as a gift… Hovering over our Admiral console player I found a 45 already on the turntable. It was a Checker Records single called “Key to the Highway” by Little Walter. Placing the stylus in its groove, I positioned the harmonica close to the mike and played along… Who was this Little Walter I thought? He was amazing. I would amuse myself by playing along; getting lost in my imagination. He was unlike any harp player I heard before. Little Walter breathed life into an instrument that I only knew as a toy.

I often thought to myself how cool it would be to actually play music, but those were only fleeting moments. Truthfully I wasn’t interested in being a musician. I wanted to do something different. I wasn’t sure what it was I wanted to do, but I knew it had to involve music.

I finished up my little session and by the time I tidied up, the boys came barreling down the stairs eager to rehearse.

DRUMMER: (sitting down on stool) What’s this white crap on my kit?

BASS PLAYER: (concerned) Hey kid … Where’s your sister?

TBB: I don’t think she’ll bug you … She’s not home.

BASS PLAYER: (relieved) That’s good… I don’t think that chick likes me.

I briefly asked the guys about Little Walter and they told me a little bit about him. They mentioned he died in a street fight in Chicago. What a terrible outcome for such a talented musician. He was only 37. My brother and his friends were working on a few of his tunes. One of those songs was Key to the Highway, which Walter did a version of.

The other song was called Off The Wall. It was the first song on their list to go through. The rehearsal went on for almost 2 hours, and I listened with enthusiastic interest.

Walter Marion Jacobs

known as Little Walter was born May 1, 1930 in Marksville, Louisiana. He taught himself harmonica at the age of 8. After quitting school at 12, Jacobs left Louisiana and traveled wherever his mood took him. He would work at all types of jobs and busk on the streets of New Orleans, Memphis and St. Louis. Little Walter would later honed his skills with great blues man like Sonny Boy Williamson and Big Bill Broonzy, who originally wrote Key to the Highway.

In 1948 Little Walter hooked up with Muddy Waters, and while playing in the Chicago clubs, helped define electric blues. Walter played the amplified harmonica by holding a small microphone in his cupped hands, and achieved a saxophone like sound that expressed his highly creative improvisations. Walter’s ground-breaking playing and distinguishing sound contributed deeply to Muddy’s recordings of the early 1950’s.

The tunes my brother’s band was rehearsing at that time were more from Little Walter’s solo career which began in 1952. Walter formed a group called The Jukes with David and Louis Myers on guitars and Fred Below on drums. This trio were known as The Aces and had been working previously with Junior Wells.

A Loud F Sharp Came From Upstairs

Sometime during rehearsal my sister came home. Storming down the stairs right in the middle of one of the tunes she sneered directly at the bass player. She then yanked the cord from his amp and the outlet almost came off the wall. They continued without missing a beat even though the whole bottom end disappeared. As my sister briskly went back upstairs you could now hear in the distance The Monkees “Last Train to Clarksville” blend into the missing bottom end. This always signified the end of practice for the day.

From 1952 to 1968 Little Walter recorded about 100 titles of which about half were issued on record as of the early 1970’s. Previously unreleased material has made its way to CD’s, and is a great tribute. For a brief time frame in 1964 Little Walter did a tour of England with The Rolling Stones. The years during and after these times were not glorious and would eventually end in his tragic death.

Little Walter inspired artists like Clapton to Butterfield and many other great musicians of our time. I feel very fortunate to have such rich memories and Little Walter is one of those special musicians that helped influence my love for the blues.

It’s been over 40 years since we lost Little Walter. Do you have a memory or favorite Little Walter song? Can you recall a harp player that amplified his sound prior? Feel free to add your comments.

The Blues Blogger

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