February 6, 2011

As my 15 year old son and I settled in to watch the Super Bowl last week, we were surrounded by an assortment of munchies on the table in front of us. Unfortunately I was feeling a little down, and my son was rather fretful about my demeanor. This was the Super Bowl and there was no reason to be bummed…

I told my son that earlier in the day I heard the news about the death of Gary Moore. He was one of my favorite guitar players and that was the reason I felt rather cheerless. “Dad you need to write something. It might make you feel better,” he replied. I knew he was right, but what would I say that could do proper justice to a player that so many others had long admired? Wincing with awe makes for difficult adjectives at times.

It took a week, but I soon realized I was never going to get the right words that would articulate my appreciation for Gary Moore. He will forever stand out as one of those musicians that had a unique blend of versatility, tone and technique. And he did it with immense emotion. I decided not to over-think things and just do my best to weave together a brief tribute to a man who provided so many years of listening pleasure.

The Super Bowl

was well underway now and Green Bay was looking strong. I caught a side glimpse of my son, and I thought to myself that I was approximately his current age when I first came across Gary Moore’s music.

Then I started to drift off into one of my reflective moments from the past…

Spring/Summer 1976

This was a memorable year for me. I was going to high school and I also worked at a record store on the weekends. I would also discover new aspects of life like driving a car, different styles of music, making new friends, I got more involved with recording gear, and of course there were girls.

One of the things I also enjoyed was vinyl album art. Those covers act like time capsules; capable of taking you back to memories of yesteryear. It was this fascination that introduced me to an LP called Strange New Flesh by Colosseum II. My initial introduction to Gary Moore was on this record. And it was some of those new fusion, progressive rock and jazz sounds that became a new source for memories that would eventually act as a link to my mid to late teenage years.

I would buy LP’s like Strange New Flesh, and when I got home, crank the volume on my stereo in my room; playing songs like “Darker Side of the Moog.” And in doing so, drive my father absolutely crazy!

(Now, if you had to pick a few songs that take you back to some of your mid-teenage years, do you know what they’d be?)

For me I can clearly name two and they were both released in 1976. One is “Fooled Around and Fell in Love,” by Elvin Bishop and the other would be “The Boys are Back in Town” by Thin Lizzy. These are two staples from a time that metaphorically provides the bridge I crossed leading me to paths beyond teenage innocence.

Gary Moore With Thin Lizzy 1978

Gary Moore Dublin 2008

Gary Moore

Born in Belfast Ireland on April 4th, 1952, he started playing music at the age of 8, and developed his style right handed despite being a lefty. He was influenced by the likes of Elvis Presley and The Beatles, and then later by musicians like Jimi Hendrix and John Mayall, which opened him up to the art of the blues.

Aspiring to become a musician, Moore moved to Dublin at 16 and joined Skid Row, along with Phil Lynott. In 1973 Moore would once again unite with Lynott but this time in the band Thin Lizzy.

Moore became the protégé of blues pioneer Peter Green, who he admired since the days of the Blues Breakers. He even obtained some of his guitars when Green quit the music scene. Many of Moore’s albums features Green’s famous sounding 1959 Gibson Les Paul, and attributed to his identifiable sound and voicing. It was Peter Green that helped mold the career of the young Moore, and his deep appreciation of Green can be heard on his album, “Blues for Greeny.”

He sustained a career that received the respect of all the major players, including the likes of blues man B.B. King and many others who Moore graced the stage with.

Gary Moore preferred to better his technique and expose his true self rather than enjoy commercial success. After a string of rock records, Moore returned to blues music with Still Got the Blues, with contributions from Albert King, Albert Collins and George Harrison. This was his most successful and critically acclaimed album. And is a must buy for any electric blues fan who likes their blues with an extra punch.

He continued his blues recordings until 1997, when he decided to experiment with contemporary dance beats on Dark Days in Paradise. With Back to the Blues, Moore return to his tried and tested blues format in 2001 and continued with this style on Power of the Blues (2004), Old New Ballads Blues (2006), Close As You Get (2007) and his last recording Bad For You Baby (2008).

The Football Game

got more interesting in the second half as we all know. And as I started to get more involved, it took my mind off some of the things that were on my mind. And by the end of the game I was feeling a little better. My son was right when he reminded me that writing, along with positive memories would be good medicine.

Moore’s ability to hold his own amongst such influential company as shown in these videos is a testament to his enormous talent and respectability. He will forever be missed, but his music will live on in the hearts and souls of the people he touched forever.

There are so many musical moments in Gary Moore’s career which are impossible to cover in just one blog post. Perhaps we can continue our thoughts by including them in the comment area below. What are some of your favorite songs performed by Gary Moore? Do you have any stories about Gary you’d like to share?

The Blues Blogger

“This record’s one of the things that’s held me together… Because when I woke up in the hospital from this incredibly big surgery, I held on to the idea that, hey man, you’ve got a record in the can!”~ Gregg Allman

Music Is a Healer

Throughout this blog’s journey one the central themes you’ll find in many of the articles is the healing power of music. It was while recovering from a heart attack in the fall of 2007 that I created The Blues Blogger as a therapeutic means to help through a difficult time. I reflected on aspects of my life; weaving online articles along with the music which surrounded the scenes I was reflecting upon. I discovered firsthand that through the sharing of each other’s life experiences, the blues had a way of generating positive energy. So when you hear a good thing, especially one that motivates you, I believe it’s important to share the information.

Low Country Blues

Last week when I heard Gregg Allman’s first solo release in fourteen years Low Country Blues, I was totally knocked out. I even made a quick comment on my Twitter and Facebook accounts mentioning how hooked I was. The songs, musicianship, production and back story moved me and forced me out of my shell.

Named for the coastal Georgia area Allman calls home, Low Country Blues acknowledges the blues titans that originally inspired Allman’s music as a solo performer and as a continued member of The Allman Brothers Band. The choice of tracks (all covers with the exception Just Another Rider) is heartfelt and extremely tasteful.

For the recording, producer T-Bone Burnett brought in extraordinary musicians, which include Jay Bellerose on drums, Dennis Crouch on upright bass, Doyle Bramhall II on guitar and Allman’s old friend Dr John on piano.

While listening to the wonderful selection of tunes, it was difficult to find the appropriate words for a review because my mind was viewing images and scenes, not prose. Right from the opening track “Floating Bridge,” a Sleepy John Estes treasure, you’re taken on a cool trip down a reflective blues entrenched path.

Along the way my visions were placed in more of a screenplay format. I drifted through old memories of blues masters, American history and the vibe surrounding the hardships and successes of an era too often forgotten.

Gregg Allman

As the record progresses we hear the Mel London tune “Little by Little” made popular by Junior Wells. Allman’s voice is robust and supple; showing a deep bond for the music he’s cherished for the past 50 years.

Some of my favorite songs that required several listens were “Tears, Tears, Tears,” “Blind Man,” “I Can’t be Satisfied” and the Allman and Haynes original “Just Another Rider.”

Gregg Allman and T-Bone Burnett’s choice of tunes are right on the money. The retrospective raw and earthy production with the horn sections add weight to the arrangements and capture the overall experience magnificently.

Here’s a complete list of all the tracks:

1. Floating Bridge – Sleepy John Estes
2. Little by Little – Junior Wells
3. Devil Got my Woman- Skip James
4. I Can’t Be Satisfied – Muddy Waters
5. Blind Man – Bobby Bland
6. Just Another Rider – Gregg Allman & Warren Haynes
7. Please Accept My Love – B.B. King & Sam Ling
8. I Believe I’ll Go Back Home – John Lee Hooker
9. Tears, Tears, Tears – Amos Milburn
10. My Love Is Your Love – Magic Sam
11. Checking On My Baby – Otis Rush
12. Rolling Stone – New Arrangement by Gregg Allman & T Bone Burnett

Suffering from chronic Hepatitis C, Allman was on a waiting list for two years for a liver donor. The album was recorded just 6 months before his transplant, and is proof that music is an extremely powerful source of positive energy. Allman is unquestionably an experienced natural interpreter of the blues genre and a survivor having endured several of life’s tragedies.

On Low Country Blues Allman utilizes his experience and the positive energy of the blues to generate an enriching landscape. The whole vibe and story centering on this new release is very motivating indeed. You’ll want to check this record out for sure; it’s definitely food for the soul.

As a founding member of The Allman Brothers Band, the group continues to perform and are still one of the most electrifying live bands to witness. The Allman Brothers band has inspired music lovers worldwide for the last 42 years, and their debut album back in 1969 set the tone for that famous southern rock sound.

With Gregg Allman’s career now in its sixth decade, it’s impossible to cover everything in one article. But that’s where you come in. What are some of your favorite Allman tunes? Have you heard his latest release Low Country Blues? What are your thoughts on his collaboration with producer T-Bone Burnett? Please share your thoughts in the comments section below.

If you’re curious, here is a link to the CBS interview last week where you can hear Gregg talk about his life, recent surgery and thoughts for his first solo release in 14 years.

I hope this new post finds you well.

The Blues Blogger

It’s impossible to play a run with as much feeling as a single note. I’ve never been so much into runs as making single notes cry.
~ Robin Trower

It’s been a while since we touched base, and it seems that for the first time in the three year history of The Blues Blogger I’m having trouble with what to say… Much has happened in the past year; some things have been sad and others so very sweet… So I apologize if I sound a little awkward.

You see, last spring I accepted a new offline day gig. This was a challenging and rewarding opportunity to help support my family. It’s very technical and requires significant left brain thinking; or as I refer to as the logical scrooge side. As a result, there’s been an unfamiliar stillness in the air. People walk by me curiously; rolling their eyes as I go about exercising my silent left brain affairs.

In the meantime, E-mails from concerned readers of my blog and continuous requests to publish material online made me ponder how to get back on track. Like I said in my first post of the year, Blues 2010: Still Got the Groove, TBB is a one man show.

Then I overheard some music that my wife TBBW was listening to upstairs… I’ve heard that mesmerizing sound so many times before; especially in my youth. But this time around it really got me thinking. Then I recalled a phone conversation I had several weeks back where Robin Trower’s name came up.

Suddenly my hiatus was over. And for the moment, my study room this past weekend was once again filled with that awesome rush of sounds and the feelings the music brings.

For the past three years The Blues Blogger has not only been known as a destination for blues/jazz and classic rock music fans, but also as a unique blog where the guitar is a central focus. Listening to the latest release of Robin Trower’s new album The Playful Heart gave me the chance to not only feature an important guitar icon, but also provided me with the unexpected right turn I needed.

ROBIN TROWER

His name may not come up in conversation as often as his colleagues Eric Clapton, Jimmy Page or Jeff Beck, but make no mistake about it; Trower has done his share in bringing a distinctive tone and inventive vision to audiences worldwide.

After leaving Procol Harum in 1972, he began a solo career and formed The Robin Trower Band. His 1973 debut album Twice Removed From Yesterday got attention for its brilliant mix of psychedelic-rock and blues. But it was his landmark second release Bridge Of Sighs that would be his signature LP. The album would rise to #7 on Billboard magazine’s top 200 charts, and also established the guitarist as an admired rock headliner.

Robin Talks About The Playful Heart

Several records in the seventies and an ensuing live LP, all earned him gold album awards. However, towards the end of the seventies Trower began to waft from his signature sound in an attempt to capture a funkier harder rock flavor.

In the early-1980s, Trower teamed up with one of my favorite bass players and former Cream bassist Jack Bruce for a pair of albums. Now out of my teenage daze, it was 1981′s B.L.T (Bruce Lordan & Trower) with its superb blend of rock, blues, and soul that had a multitude of spins on my turntable way back then.

With 1997’ s release of Someday Blues, Trower once again changed his propensity in favor of a raw blues-rock sound, which continued on 2004′s Living Out Of Time and 2005′s Another Days Blues. Trower would re-unite with Jack Bruce in 2008 for the album Seven Moons and resulting Seven Moons Live DVD in 2009.

Later in 2009, he released another solo effort What Lies Beneath, and for the first time stepped in front of the microphone to sing his own material.

Robin On Recording The Playful Heart

Like so many of his peers, Trower continues to perform and record to considerable praise. With his new release The Playful Heart we see a more reflective sounding Robin Trower. I really didn’t know what to expect when I started listening to this album, but was quite drawn by the catchy riffs and emotional playing alongside that characteristic Trower tone. It was certainly the right prescription to snap me out of my commonsensical left sided thought waves.

There are several highlights here from the rockin’ “The Turning,” to the catchy “Dressed in Gold,” and melodic “Camille.” The album covers the gamut from rock/blues, jazzy textures with funky grooves all wrapped in a wistful vibe. It was recorded with his touring band: vocalist Davey Pattison, drummer Pete Thompson and bassist Glenn Letsch. The album was produced by Livingston Brown who has worked in the past as a touring and session musician with artists such as Tina Turner, Bryan Ferry and Sting.

On The Playful Heart Trower comes out with an album that is sure to please not only his long times fans, but hopefully a new generation of guitar aficionados who may not be as familiar.

So now I want to turn this post over to you. Are you a Robin Trower fan? Any highlights from his illustrious career that stand out for you? Have you ever seen, or will you be seeing Robin and his band as they pass through your town in the New Year? I’d love to hear your thoughts. So please leave your comments in the section below.

Thank you for your support! I wish you all a very safe and festive holiday season.

The Blues Blogger

“This album wasn’t what it was intended to be at all. It’s actually better than it was meant to be because, in a way, I just let it happen. It’s an eclectic collection of songs that weren’t really on the map… If it’s a surprise to the fans, that’s only because it’s a surprise to me, as well.” ~Eric Clapton

Worldwide CD Giveaway – THIS CD GIVEAWAY IS NOW CLOSED –

(Congratulations to Ron Grande & Tim Null who’ve both won a copy of the disc. Your new Clapton CD is now on the way to you… You’re gonna love it!!!)

Next month it’s The Blues Blogger’s 3rd Anniversary. However, to coincide with Eric Clapton’s upcoming 19th solo album “Clapton” later this month, I thought it might be fun to give away 2 copies of the CD and announce the winners on the day of the release… Your opportunity to win could not be simpler. In fact many of you reading this are already entered. I will explain shortly…

First

I Have a Question for You

If somebody asked you, “what song in your past acts likes a soundtrack to your youth?” Would you know right away? If you had to think about it, what song would play in your mind? I know what song that would be for me. And I’ve mentioned it many times from my very first post Electric Blues Masters, to Joe Bonamassa Live at The Royal Albert Hall and of course Freddie King I Am a Blues Master. That song is John Mayall & The Blues Breakers featuring Eric Clapton’s version of Freddie King’s Hideaway. It’s the first audible groove I vividly recall my brother playing along to on his guitar on the bunk bed below in the room we shared while growing up.

For Eric Clapton

some of the tunes that make him reminisce about his childhood, he got the opportunity to record on his upcoming album. These selections are gems which were passed down to Eric from his grandparents. It’s an assortment of songs by such noted composers as Irving Berlin, Fats Waller, Johnny Mercer and Hoagy Carmichael. Clapton covers everything from old brass bands to obscure country blues, in addition to brand-new originals. The result is tranquil, reflective, and quite different from anything he’s done in the past.

Working with guitarist and producer Doyle Bramhall II, Clapton brings together an impressive range of talent to back him on this self-titled release. Musicians and guests include drummer Jim Keltner, bassist Willie Weeks, and keyboardist Walt Richmond. Also featured on this eclectic offering is JJ Cale, Wynton Marsalis, Sheryl Crow, Steve Winwood, Allen Toussaint and Derek Trucks.

You can preview four complete songs, including the new single “Diamonds Made From Rain” from the Clapton album here on the widget below:

Clapton has also announced several live dates in 2011 including 4 nights at The Royal Albert Hall. And has assembled a remarkable band for the 2011 tour which will consist of long-time touring partners: Steve Gadd (drums), Willie Weeks (bass), Chris Stainton (keyboards) along with Michelle John and Sharon White as backing vocalists…

For more details you can go to Eric Clapton’s site by clicking here

While many of my long time readers are familiar with my posts, what many of you may not know was how Clapton inadvertently influenced the idea for me to create this blog three years ago.

Time has passed quickly since I succeeded in freaking my entire family out with the news of my heart attack 36 months ago. It forced me into a situation where I had a lot of time to think. When my brother heard the news and realized I would be alright, he told my wife TBBW on the phone to get me Clapton’s recently released autobiography. A hard cover copy of the book would be at my bedside when I opened my eyes one morning in the hospital. While reading that book and recovering at home, I got the idea of creating a music blog where I could combine my appreciation for music and my long time desire to write.

That desire to write started when I first heard Hideaway when I was a kid, but I never really concentrated too much on it until after I read Eric’s biography three years ago. The book made me reminisce about my own life and the music that surrounded me when I was young. The blog then became a therapeutic canvas for me. It would also be a place where lovers of blues, jazz, and fans of some good old rock n roll could come together and share their thoughts; past and present.

For these past three years The Blues Blogger site has grown in an extremely profound way, and as a result so have I. I’m truly very humbled by all your kind words and overwhelming support…

And Now…

Do You Want To Win a Copy of Eric Clapton’s Upcoming CD?

The Rules Are Simple – THIS CD GIVEAWAY IS NOW CLOSED -

All email subscribers of The Blues Blogger anywhere in the world will get the opportunity to win 2 possible copies of Eric’s 19th solo album “Clapton” in a random draw giveaway.

(All current Blues Blogger subscribers are automatically entered.)

You will need to subscribe to my e-mail list at the top of the page where it says “Receive Updates by Email.” Enter your email address and press click here. When you submit the form, you will receive a verification message in your e-mail in-box. Once you respond to this message you are subscribed. That’s it! I promise no spam and you can always unsubscribe at anytime…

This random prize giveaway will end September 26th, 2010 at 11:00 pm eastern time in the U.S. When the winners are notified, they’ll have 12 hours to respond or a new name will be drawn.

But now if I could, I’d like to get back to my original question - Do you have a favorite tune that plays in your mind from the past? Are there any songs or performances from Eric Clapton from your youth that you’d like to share?

As an extra added bonus, if you comment on this post as well as being an active subscriber, I will put an additional ballot in the draw to increase your chances of winning. You have absolutely nothing to lose, and a terrific memorable record to gain.

I’d love to hear from you.

Good luck,

The Blues Blogger