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Willie Dixon: I Am The Blues

Being so young, I never knew the significance of the music I listened to back then… I just knew it moved me in a way I could never quite explain. ~ tbb

In The Year 1970

my brother and several of his friends packed their bags and followed their dreams. Their brash youthful spirit drove them to bigger places as they made a serious attempt at a career in the music business. For me at the time, I was glum. I missed those magical moments when the boys would rehearse in the basement of our house… And so did The Big F who was my brother’s oldest friend.

The Big F was the roadie/bodyguard for the bands my brother was in. When my brother left town, he adopted me as a kid brother and often picked me up to hang out. One thing for sure, I never had a problem with bullies whenever I hung around with The Big F. The man loved his music and would invite me over to his place where I marveled at his record collection. He would let me pick any album I wanted to listen to… I recall Willie Dixon’s I Am The Blues being a very intriguing choice back then…

The Big F had a drum kit in the basement of his house, and always played along to the tunes. And would often spring off his stool, grab some spoons and continue to tap along the walls, lamps, light switches and beverage glasses…

I Am the Blues

is an album featuring some of Dixon’s classic material but this time with Willie showcasing his own creations. Willie Dixon was a force to be reckoned with and his presence continues to be felt in even today’s most modern blues and rock performers.

Here are the tracks on this album and some of the popular artists that performed them:

“Back Door Man” – The Doors.
“I Can’t Quit You” – Led Zeppelin.
The Seventh Son” – Sting
“Spoonful” – Cream.
“I Ain’t Superstitious” – The Yardbirds.
“You Shook Me” Led Zeppelin
“I’m Your Hoochie Coochie Man” – Muddy Waters.
“The Little Red Rooster” – The Rolling Stones.
“The Same Thing” – Muddy Waters

This album only represents a small portion of Willie Dixon’s contribution to the music world. Many people today are unaware that Dixon was the original composer of many of the classic songs we know and love… His singing on I Am The Blues may not be as distinct as those who adopted these tunes, but it’s very humbling to hear the master voice his own work. If you haven’t heard this album before, or just looking to rediscover a gem, you’ll love this terrific piece of music history… Very cool and inspiring indeed.

Willie Dixon

was born in Vicksburg, Mississippi in 1915. Dixon was first introduced to blues as a teenager when he served time on prison farms in Mississippi. He wrote poetry and adapted them into songs.

“The blues will always be, because the blues are the roots of all American music. As long as American music survives, so will the blues.”

In 1936 Dixon left Mississippi for Chicago. He stood tall and weighed in at over 250 pounds. Taking up boxing; he became successful enough that he won the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. Dixon even turned professional and worked briefly as Joe Louis’ sparring partner. His brief boxing career ended after getting into a money dispute with his manager.

After composing and playing in many local groups, Dixon eventually signed to Chess Records as a recording artist. He began performing less and started getting more involved with the label. Dixon became a full time employee with Chess in 1951, where he acted as producer, A&R talent scout, session musician and staff songwriter. His relationship with the label was nervy at times, but his output and influence was extraordinary. He worked with all the greats such as Chuck Berry, Muddy Waters, Howlin’ Wolf, Little Walter and Sonny Boy Williamson II, just to name a few.

Later in his life, Willie Dixon became a diligent representative of the blues and a vocal supporter for his peers founding the Blues Heaven Foundation. The organization works to preserve the genre’s legacy and protect copyrights and royalties for blues musicians who were exploited in the past. The foundations’ current vice president is Willie’s grandson Alex Dixon…

It should be noted that Alex Dixon is coming out with a new CD entitled “Rising from the Bushes” on April 28th… For more information you can go to the following site.

Willie Dixon was granted a Grammy Award in 1989 for his album Hidden Charms. He was also inducted into the Rock and Roll Hall of Fame in the “early influences” (pre-rock) category in 1994.

It’s impossible to cover the incredible legacy of Willie Dixon in just one post. So I won’t even attempt it… Dixon was undeniably the greatest blues songwriter of his era and is credited with writing more than 500 songs by the end of his life.

Now it’s time to turn this post over to the readers… So what are your feelings? How familiar are you with his 1970 release I Am The Blues? Any Dixon tunes covered by other bands or musicians that are your favorites? Your comments are welcome below…

TheBluesBlogger

Muddy Waters: Fathers and Sons

It was almost 40 years ago to the day that Muddy Waters started working on his double vinyl release Fathers and Sons… And since today would’ve been Muddy’s 94th birthday, I want to briefly commemorate not only the album, but the man they called “Father of The Chicago Blues” on this special day…

By the time Fathers and Sons was released in the summer of 1969, Neil Armstrong landed on the moon, Woodstock took place and I was still entranced with Elizabeth Montgomery’s role as Samantha in Bewitched… On a sadder note, that was the year I lost my grandfather and almost lost my father when he had a heart attack.

Whenever I drift back to those days, I realize just how remarkable those times really were. But because I was so young, it took a while to fully comprehend its meaning and effect on me. I would later discover that through heartache came newfound inspiration…

The events and music of the time influenced my interest in writing. And it was albums such as Fathers and Sons that helped generate a personal soundtrack to my past…

 
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Muddy Waters

was born McKinley Morganfield on April 4th, 1915 in Rolling Fork, Mississippi. Following the death of his mother in 1918, he would move to Clarksdale Mississippi where he was raised by his grandmother. Waters was a farmer’s son and got his name because he fished and often played in a muddy creek.

Waters singing was influenced by local bluesman Son House and he would learn to play guitar by studying Robert Johnson records. Muddy was the leading promoter of Chicago blues in the fifties. He brought the blues from the Delta making the transition to electric with sounds previously unheard of.

When Muddy moved to Chicago in 1943 he got work in a paper mill. It was during this time he got an electric guitar and began performing. In 1946 Waters signed with Aristocrat Records. His original Aristocrat recordings did not make much of an impression in the beginning… But Muddy continued to play at the clubs continuously while driving a truck six days a week.

When the Chess Brothers changed Aristocrat to Chess Records in 1948, Waters’ first single on the new label “Rollin’ Stone,” became a major blues hit. Other tunes like “I Can’t Be Satisfied” and “I Feel Like Going Home” from that year would secure his position as a major blues performer. These recordings featured Muddy on electric guitar, writer/producer Willie Dixon on bass, and occasionally Little Walter on harmonica. By the early fifties he was backed by a complete band adding Otis Spann on piano, Jimmie Rodgers on second guitar, and Elgin Evans on drums.

The Tunes Kept Rollin in the Fifties…

“Honey Bee”
“She Moves Me”
“I’m Your Hoochie Coochie Man”
“I Just Wanna Make Love to You”
“I’m Ready”
“Got My Mojo Working”
“Mannish Boy”

The above are shining examples of blues classics that would go to be recorded by many popular rock groups… The Rolling Stones even name themselves after his first single.

Waters also introduced new blues artists as they made their way through his band. Many of these included: Junior Wells, Jimmie Rodgers, James Cotton, and Buddy Guy. He would also be instrumental in the early careers of Howlin’ Wolf and Chuck Berry.

As successful as Muddy Waters was during the fifties, his record sales were for the most part limited to the Mississippi Delta, the New Orleans area and of course Chicago. However, by this time his reputation was internationally known and in the sixties his music began reaching rock listeners. He often appeared at concerts and festivals nationally.

With producer/guitarist Johnny Winter and utilizing members of his bands of the fifties, Waters made three of his best-selling albums, Hard Again, I’m Ready, and King Bee. Winter and Waters performed together regularly in the 70’s and 80’s.

Muddy last public performance was in June 1982 with Eric Clapton. He passed away in 1983 of a heart attack. And in 1987 was inducted into the Rock and Roll Hall of Fame.

Fathers and Sons

Fathers and Sons is a fine example of students paying tribute to their hero and father figure of the Chicago blues… Listening to the recording after all these years is like a time machine to the past. It’s a vivid memory that brought me back to that vintage electric blues sound and atmosphere I remember so well while growing up.

Father and Sons Session Musicians:

MUDDY WATERS – Vocals and Guitar
OTIS SPANN – Piano
MIKE BLOOMFIELD – Guitar
PAUL BUTTERFIELD – Harmonica
DONALD “DUCK” DUNN – Bass
SAM LAY – Drums

With Guests:

PHIL UPCHURCH – Bass on “All Aboard” only
JEFF CARP – Chromatic Harmonica on “All Aboard” only
PAUL ASBELL – Rhythm Guitar on “Walking Thru The Park”, “Forty Days & Forty Nights” and “Sugar Sweet” only
BUDDY MILES – Drums on “Got My Mojo Working, Part Two” only

Whether your rediscovering your past, or just learning about the blues, I strongly suggest checking this album out. It’s an incredible piece of blues history from experienced artists old and new at the time… You’ll be richer for the experience.

If you have any thoughts or birthday wishes, please feel free to add your comments below.

All the Best,

TheBluesBlogger

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    The music seen and heard on this site are meant to enhance the enjoyment of the articles and the reader's overall experience. My intention is to honor the artists that have inspired me by weaving my personal experiences together with my love of their music... If you like the music you hear, I urge you to support them by attending their performances and/or purchasing their music. If you hold the copyright and would like me to remove your song or picture then please contact me. I will do so immediately upon request.
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