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Terry Kath: Wishing You Were Here

The persona of The Blues Blogger has allowed me to do a lot of soul searching and ponder aspects of my life in a way that was never possible before. It’s given me a canvas in which to express myself, and at the same time feature artists that have inspired and motivated me along the way…

Throughout the course of this blog, I always wanted to do an article on guitar legend Terry Kath… This weekend it will be 32 years (on Jan 23rd) since Kath tragically lost his life. And Sunday January 31st marks what would’ve been his 64th birthday, so the timing seemed right.

I could spend days thinking of the right words to express how talented and versatile an artist Kath was, but I’m going to let the music speak mostly for itself… I’m hoping this brief post gives those who remember, and perhaps others not so familiar, a taste of this man’s extraordinary work.

The First Ten Years of My Life

I grew up listening to my brother play guitar to a wide range of blues, jazz and rock tunes. He would practice endlessly into the night the grooves from albums he listened to earlier that day… On Saturday afternoons my brother’s band rehearsed in the basement of our house. I remember on several of those daze way back when they added 2 sax players and worked on some songs from Chicago Transit Authority‘s 1969 debut album.

For many people Terry Kath was one of the main focal points on that record and his finesse at one time even had Jimi Hendrix shaking his head in disbelief… Terry Kath’s incredible guitar work coupled with his distinctive style, tone and phrasing was simply remarkable.

Terry Kath


was born in Chicago on January 31, 1946. He began playing drums and at 10 years old switched to guitar; teaching himself by using his mother’s banjo. He gained inspiration playing along to records by The Ventures, and put together an instrumental group of his own, called The Mystics. After graduating high school, Kath met Walt Parazaider and Danny Seraphine while attending DePaul University and together formed The Missing Links. It was this band and The Big Thing that would later be known as The Chicago Transit Authority. Known for his scorching guitar solos and his astounding ability playing both rhythm and lead guitar, Kath was held in very high regard by many of his peers and inspired many guitarists along the way.


Terry Kath’s guitar playing and vocals continued to be heard on such signature Chicago hits as “25 or 6 to 4,” “Make Me Smile.” and “Wishing You Were Here.” Kath would appear on a total of 11 Chicago recordings from 1969 through 1977; all achieving at minimum a gold certification. Original band members Walter Parazaider, Danny Seraphine, Lee Loughnane, James Pankow, Robert Lamm, Peter Cetera and Kath formed a group with a unique vision and the result was a diverse powerhouse that created, “a new rock sound with horns.”

As most people already know, the band shortened its name to Chicago for their second album and eventually became a pop ballad juggernaut. While they gained massive appeal, many of their fans went in a different direction after the loss of Kath. However for older music lovers and rock historians that first album has gone into the history books as a hugely creative, experimental and very musical piece of work on the same level as some of the best music ever produced in a debut effort.

Chicago Transit Authority or CTA was actually the first double LP I could call my own and a gift from my brother when he moved out of the room we had shared all our life… Over 40 years later this LP stands out as a major influence and also brings cool memories of growing up in changing times…

Terry Kath has played a huge significance in remembering moments from my past. Does Kath’s music play any significance in time for you? Do you have any favorite songs that strike a chord? If so I’d love to hear from you.

Please share this post with others you think may enjoy it. Let’s not forget this very important artist in music history. Your comments are always welcome…

Remembering the Times,

The Blues Blogger

Grammy Nominee: The Truth According To Ruthie Foster

“The truth, according to this remarkable album, is that Ruthie Foster is one of America’s finest soul-blues artists… a full-on blast of soul and blues… The combination of a talented band, powerful songs, and Foster’s roaring gospel-inspired vocals leaves Truth with no weak spots among its dozen tracks. If this one doesn’t elevate Foster to the next level of popularity, it’s impossible to imagine what will.”
~Blues Revue

Last Sunday Afternoon

When you love music as much as I do, working on a weekly blog certainly has its limitations. There’s so much amazing music (past and present) that I enjoy listening to, I only wish I had time to generate more posts. Last spring one of those releases I heard but never got the opportunity to write about was Ruthie Foster’s album The Truth According to Ruthie Foster. Her energetic spirit and vocal prowess is absolutely wonderful. So when I heard the news of Foster’s Grammy nomination alongside performers such as Susan Tedeschi, Mavis Staples, Robert Cray and Derek Trucks for Best Contemporary Blues Album at this year’s upcoming awards, my interest in this extremely talented artist was rejuvenated.

Since it was unusually warm this past weekend, the atmosphere and good timing gave me an idea to do something that was long overdue…

I walked upstairs and went into the living room. My golden retriever Lucille was curled up basking in a spot on the carpet where the early afternoon sun shined brightly. Noticing I was staring, she nonchalantly glanced up at me with a tranquil gaze as if to say, ”Please tell me today is the day?”

With such a hectic schedule as of late, Lucille hasn’t been getting the exercise she’s used to, and I was determined to make it up to her. With an animated smile, she briskly headed for the front door as I displayed the leash that I was hiding behind my back… With my MP3 player in hand, Foster’s upbeat funky tune “Stone Love,” started to play as Lucille and I began our invigorating walk down the sun drenched avenue.

 
icon for podpress  Stone Love (Clip) [0:30m]: Play Now | Play in Popup

 
icon for podpress  Hangin On (Clip) [0:30m]: Play Now | Play in Popup

Ruthie Foster

is originally from Gause, Texas. Raised in a household with gospel roots, she was also exposed to a lot of jazz and blues. Foster always knew music was in her blood, even before her first appearance as a 14 year old soloist in her uncle’s choir. Moving to Waco Texas to attend McClennan Community College, she mixed music classes and audio engineering with visits to clubs at night. In her early teens Foster led a blues band in biker bars and other various settings from Dallas to San Antonio. In the late eighties Foster join the Navy and worked with an ensemble called Pride, where she traveled around at recruitment drives playing funk hits.

Foster moved to New York in 1990 and immersed herself in the folk scene and eventually landed a deal with Atlantic Records. But the label didn’t share her vision of what kind of artist she should be. Family obligations would bring her back to Texas, where she re-connected with her roots and put together a string of new material that would get her work both in a band setting and as a solo artist.

“It didn’t matter to me what genre it was,” she remembers. “I just took it all in as great music – music that moved me.”

In 1997 Foster released the album Full Circle before teaming up with Blue Corn Music, and then released Crossover in 1999, Runaway Soul in 2002, Stages (featuring a series of live tracks) in 2004, Heal Yourself in 2006 and The Phenomenal Ruthie Foster in 2008.

The Truth According to Ruthie Foster

Recorded in Memphis at Ardent Studios with the assistance from players such as guitarist Robben Ford, (The Yellowjackets, Bob Dylan, Joni Mitchell) well known Memphis keyboardist Jim Dickinson (the Rolling Stones, Aretha Franklin), organist Charles Hodges (Al Green, Ann Peebles) and the Memphis Horns. This latest release is Ruthie Foster’s most catchy and successful work to date. And with a Grammy nomination for Best Contemporary Blues Album, the truth has never looked brighter.

Later Sunday Night

Most of the tunes featured on this album are influenced by early soul, gospel, funk and R&B. And as I look back with Lucille now contently snoring next to me, it seemed like the stress of everyday life were washed away at least for that moment during our afternoon jaunt… Ruthie Foster’s perspective on music is something that many of my readers have heard me say time and time again. In Ruthie’s words, “Music is a healer. It’s energy. And it goes into everything…”

If you are unfamiliar with Ruthie Foster then I can’t recommend this awesome album enough. It may just end up making your day. It sure did for me and my faithful hound… For more information and concert dates you can go to Ruthie Foster’s website by clicking here.

What do you think? Is Ruthie going to bring home the award on January 31st? Your comments are welcome.

The Blues Blogger

Chicago Blues: A Living History – 2010 Grammy Nominee

“An engaging, updated introduction to the world of Chicago blues… Captures the musical spirit of the city and traces its development through the past 50 years. This album celebrates the past by breathing new life into it. ” ~ PopMatters

On Sunday January 31st, 2010

they’ll be handing out the 52nd Annual Grammy Awards. There are two categories: Best Contemporary Blues Album & Best Traditional Blues Album that for the most part relate to this blog… I wanted to briefly mention one of this year’s Grammy nominees – Raisin’ Music’s Chicago Blues: A Living History. Produced by Larry Skoller, this extraordinary and fresh voyage through blues history is sure to generate some cool moments for most fans of the blues. It’s also a terrific collection for those who are new to the genre and looking for a vibrant and entertaining reference to Chicago’s distinctive blues history.

During the late 40s and early 50s, a change of style from the Mississippi Delta sound was taking place which eventually saw the Chicago music scene as the dominant voice of the blues. This was mostly due to the migration of thousands of African-American farm workers from the south to the industrial cities of the north like Detroit and Chicago during World War II. In search of a better life, a number of talented blues musicians like Muddy Waters and John Lee Hooker were part of that historic trip north.

Nominated For Best Traditional Blues Album

Chicago Blues: A Living History

came together in April of 2009 when local veterans Billy Boy Arnold, John Primer, Billy Branch and Lurrie Bell successors of the Chicago Blues landscape teamed up to pay tribute to the evolution of Chicago Blues from 1940-1991. Together they lead a fantastic group on songs made famous by legends like Big Bill Broonzy, Elmore James, Willie Dixon and Buddy Guy just to name a few. During this past summer of 2009, the band toured Europe and played to packed crowds at fifteen major music festivals in seven countries.

The Living History Band

Billy Flynn – Guitar
Matthew Skoller – harmonica
Johnny Iguana – Keyboards
Felton Crews – bass
Kenny “Beedy-Eyes” Smith – drums

Special Guests

Carlos Johnson – guitar and vocals
Mike Avery – vocals

I believe we can all learn something about life and communication by exploring the history of the blues. Any natural art forms’ roots should always be recognized and we need to acknowledge the historical context which blues developed. All popular music today is based on the blues and without that knowledge people are missing out on the fundamental aspects like jazz, rock ‘n’ roll, soul and R&B which derived from it. Its down-home honest/raw energy is medicine for the soul. The music assembled on this disc can’t help but make you feel good…

I’ll resist the temptation to elaborate further and let the music and videos featured in this post speak for itself… I know I’ll be paying close attention to this category come Grammy time on Sunday January 31, 2010. If you’re interested in further information and band bios you can go to Chicago Blues: A Living History website by clicking here…

Do you have any favorite Chicago blues artists which are featured on this disc? Please feel free to add your comments below. Your input will further enhance the post and is always appreciated.

The Blues Blogger