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Joe Bonamassa: Black Rock New CD Release – Review

With this album we wanted to explore a ‘world’ feeling, and this was the inspiration behind going to record in Greece and using some of the best Greek musicians to add a little flavor to a couple of tracks. But it’s by no means a ‘world’ album. We wanted Joe’s usual youthful and energetic tones to play alongside the worldly vibes of the Greek bouzouki and clarion… ~ Kevin Shirley (producer)

The First Weekend of Spring 2010

It’s Sunday afternoon and as usual I have the house to myself. After the long winter season I can finally open the windows and let the temperate breeze flow throughout my home. Don’t you just love spring? So this weekend I decided to work on some projects around the house… well… uhh… perhaps attempt to anyway. I also wanted to spend a little time writing and put together this week’s blog post. Furthermore it keeps me in touch with my many friends and readers of The Blues Blogger.

Just as I took a deep breath to savor the splendor of the day, my obnoxious next door neighbors from hell stormed out their front door to raise havoc. Their shrill oblivious presence and resulting backlash of aggravated barking dogs from all over the area, began turning my calm mood into a stressful state of affairs.

Now normally when this situation happens, I’ll put my earphones on my MP3 player and listen to some music to block out the noise. But the level of distraction was too much this time. And I really didn’t want to close my windows, so I decided to fight back for a change…

Instead of silently listening to my MP3 version of Bonamassa’s upcoming release Black Rock, I grabbed my promotional copy of the CD and made sure every window was open in the house. Cranking the volume on my audio system to levels I’ve never explored before, my mood eventually shifted from tension to joy; generating a vibe that would rock my entire neighborhood.

The sound levels sent perplexed head cocked glares from my annoying neighbors; dragging their knuckles as they eventually made their way back inside. Yes, the music was loud, and I mean LOUD. I haven’t played tunes at that volume for a long time, but it was absolutely awesome. I could not have chosen a better album to unleash my frustration.

And now the day would once again be mine!

Black Rock

This is the third post I’ve written on blues rocker Joe Bonamassa. My previous articles covered his DVD Live From The Royal Albert Hall and his last studio recording The Ballad of John Henry.

The release of Black Rock in a few days sees Bonamassa once again team up with producer Kevin Shirley. (Black Crowes, Aerosmith) The album was produced in Santorini, Greece and named after Black Rock Studios where it was recorded. Like several of his previous releases, Bonamassa combines original tunes and covers. This time he does renditions of songs previously recorded by Bobby Parker, John Hiatt, Jeff Beck, Leonard Cohen, Otis Rush, Willie Nelson, James Clark and Blind Boy Fuller.

Black Rock begins by knocking the roof off with two heavy blues numbers, “Steal Your Heart Away” and then “I Know a Place.” These songs set a thunderous tone and just the right vibe for the present circumstances I mentioned above. Joe adds some classy slide playing on the edgy third track “When The Fire Hits The Sea,” and “Quarryman’s Lament,” has some exceptional acoustic playing with a nice Mediterranean touch.

I really enjoyed the updated take on “Spanish Boots,” Beck’s tune from 1969’s Beck-Ola with Rod Stewart. I found myself replaying this track several times. “Bird on a Wire” is going to surprise a few people who are familiar with Leonard Cohen’s song. With all that Greek flavoring it makes for a distinctive sound indeed.

Otis Rush’s “Three Times a Fool” takes things back to a more traditional vibe as well as “Night Life”, the song that re-unites Bonamassa with blues legend B.B. King. (It was B.B. who let Joe open for him over 20 years ago when he was only 12 years old.)
(Photo by: Christy Goodwin)

Bonamassa continues to gain a reputation as the new master of blues rock guitar. However with each new release, people are starting to take notice of his voice. It just keeps getting better. This is very apparent on his Zeppelin-esque “Wandering Earth.” And “Blue And Evil,” two out of the five Bonamassa penned tunes featured on Black Rock. Exploring new avenues another original “Athens to Athens” helps lead us down his road to discovery.

With the closer “Baby You Gotta Change Your Mind,” Joe cools things off in a short playful manner with an acoustic version of Blind Boy Fuller’s classic; a really nice way to cap off a thoroughly enjoyable listen… With the news of Black Country, Joe’s latest collaboration with Jason Bonham, Glen Hughes, Derek Sherinian, the future just keeps looking brighter for this hard working rising star.

After Several Listens to Black Rock

All was silent once again. Off in the distance I heard someone shout, “You Rock!” Hmm interesting, perhaps there was some hope after all… I couldn’t help but chuckle to myself thinking how during the course of my little scene, I was not only able to write this post, but also accomplish a few of the chores around the house and enjoy myself along the way. Once again proving the motivating force music can play on a person’s mood. If you’re a Joe Bonamassa fan then Black Rock, his 10th solo album, should be right up your alley, and perhaps make your afternoon that much brighter too.

How familiar are you with Bonamassa’s impressive 20 year career? Are there any highlights you’d like to comment on? I’d love to hear your feedback! If you enjoyed this post, then spread the word. If you looking for more information and updated touring schedule, then you can visit Joes’ site by clicking here.

The Blues Blogger

Latest Tour Dates

March 2010

23 – Fort Worth, TX – Bass Performance Hall
24 – Austin, TX – Paramount Theatre
25 – Stafford, TX – Stafford Center
26 – Oklahoma City, OK – Civic Center Music Hall
27 – Fayetteville, AR – Walton Arts Center
31 Sydney, Australia – The Factory Theatre

April 2010

01 – Melbourne, Australia – The Corner Hotel
02 – Australia – Byron Bay Blues Fest
03 – Australia – Byron Bay Blues Fest
07 – Tokyo, Japan – Liquid Room
08 – Osaka, Japan – Big Cat
15 – New York, NY – Town Hall
16 – Boston, MA – Wilbur Theatre
17 – Peekskill, NY – Paramount Center for the Arts
18 – Wilmington, DE – Grand Opera House
20 – Albany, NY – Hart Theatre at The Egg
21 – Red Bank, NJ – Count Basie Theatre
23 – Washington, DC – Lisner Auditorium
24 – Glenside, PA – Keswick Theatre
25 – Harrisburg, PA – Sunoco Performance Theater
29 – Cleveland, OH – Ohio Theatre
30 – Lexington, KY – Lexington Opera House

May 2010

01 Huntington, WV – Keith Albee Theatre
02 Dayton, OH - Victoria Theatre
04 Merrillville, IN - Star Plaza Theatre
05 Carbondale, IL - Shryock Auditorium
07 Iowa City, IA - Englert Civic Theatre
08 Omaha, NE - Orpheum Theatre
19 Stockholm, Sweden – Cirkus
25 Oslo, Norway – Rockefeller Music Hall
28 United Kingdom - HMV London Hammersmith Apollo
29 United Kingdom - Rotherham Magna Centre
30 United Kingdom - Bournemouth International Centre
31 United Kingdom - Birmingham National Indoor Arena

Shakura S’Aida: Brown Sugar North American Release April 13th,2010

“I am truly blessed by all the incredible opportunities I have had.” My life has been filled with amazing adventures; I can’t wait to see what happens next!” ~ Shakura S’Aida

My wife and I packed our bags. After the crazy year we’ve had so far we decided to run away. Well, at least for the day anyway… So we took a car ride in the country and visited some old stomping grounds where we used to camp and do some hiking.

Of course, when you’re taking a car ride in the country, tunes are a must!

It was several weeks ago while writing an article on the late Luther Allison’s recent commemorative CD/DVD Songs From The Road, that I happened to come across an artist called Shakura S’Aida. (pronounced Shack-oora Sigh-ee-da) Wow, was I ever impressed! The last performer I was unacquainted with that knocked me out like this was Joanne Shaw Taylor; coincidentally also signed with Ruf Records. That was almost one year ago during a similar drive.

As I plugged my MP3 player into the car stereo and hit play, I just knew my wife was going to be impressed when she got a taste of some Brown Sugar.

BROWN SUGAR

The funky vibe of Mr. Right sets the tone and is followed by the enticing groove Walk Out the Door. The contagious beat of Gonna Tell My Baby is very slick, and just when you thought it couldn’t get sweeter, the song Break Your Heart maintains Brown Sugar’s smoldering atmosphere.

My wife’s immediate reaction was, “She’s wonderful, sounds a lot like Etta James and Tina Turner.” Good ear, considering those are two of S’Aida influences.

Shakura S’Aida latest album was produced by Jim Gaines, the same mastermind who also worked on Shaw Taylor’s White Sugar. Gaines credentials include work with artists such as Stevie Ray Vaughan, Santana, Steve Miller, Luther Allison and Lonnie Brooks just to name a few. Between the excellent writing, flawless production and extraordinary talent, it’s no wonder we were hooked.

Guitarist Donna Grantis collaborates with Shakura on eleven of the twelve cuts and provides alluring guitar chops throughout. There’s no doubt at all that there’s some great chemistry happening here.

SHAKURA S’AIDA

is a versatile Canadian blues/jazz, R&B and soul artist. She was born in Brooklyn, New York, but would move to Switzerland when she was eight years old. In the late seventies S’Aida’s family settled in Toronto. She began performing at a young age and after several gigs became lead singer in a thirteen piece world music band called Kaleefah; which would lead to a Juno nomination. She also worked as a backing vocalist for Rita MacNeil and Patti Labelle, as well as with jazz musicians such as Jimmy Smith and Ruth Brown.

S’Aida’s resume includes musical stage roles in productions such as “Ain’t Misbehavin” and “Momma, I Want to Sing.” She has performed in some of the most distinguished stages in the jazz world including the Apollo Theatre. Shakura was nominated four times as the Maple Blues “Female Vocalist of the Year” in addition to Entertainer of the Year in 2008.

She was also a second runner-up at the 2008 International Blues Challenge in Memphis where she competed against more than 160 bands from more than 20 different countries. It was at this event where Thomas Ruf and S’Aida met. Filling in for Candye Kane on Ruf’s Blues Caravan Tour 2008, Shakura was offered a record deal and Brown Sugar was the result…

MORE BROWN SUGAR

If you were ever thinking of a way to help with the crisis in Haiti, then the heart-rending fifth track “Angels on High” is available for download for only $1.00 by clicking here. Proceeds from each download go towards the Haiti Earthquake Relief Fund Free The Children. In partnership with Partners In Health, Free The Children is working towards providing long term health care, education and relief to children affected by this terrible disaster.

One of my favorite tunes on the album is the upbeat Chasing the Sun. Cranking the volume for this one, the bright positive vibe had me playing this tune several times over. Between the bouncy and swinging Missing the Good and the Bad and the funky Sweet Spot, the car ride turned into one blues filled soulful trip. The last few tracks continue the albums’ tasteful pace and the Outskirts of Memphis is a solid blues groove that closes our delightful ride.

The uplifting and positive energy created on Brown Sugar acted as the soundtrack to our brief getaway. And even though we only pretended to run away, at that moment the music from this album made us forge ahead; allowing us to take our minds off some of the challenges that come along with everyday life.

One Week Later

I haven’t been able to stop playing this album. Even though it’s now a week after our drive, I continue to be impressed with what I hear. Shakura S’Aida is awesome and judging from this latest release, there’s no doubt she has a promising future ahead. I cannot recommend this one enough. Already released in Europe, Brown Sugar makes its debut April 13, 2010 in the U.S. and Canada. Do yourself a favor and put this album on your list.

So how do you feel? Did you enjoy any of the clips featured in this post? I’d love to hear your feedback on this one. Please leave your comments below. And if you enjoyed this article, share it with those you think will feel the same. It’s guaranteed to make them smile…

If you’re looking for latest concert info and any further information on Shakura S’Aida; you can find it by going to her website by clicking here.

The Blues Blogger