Recalling Elvin

My son was rather anxious to talk to me this morning. He had something to show me that he thought I’d find interesting … It was a book he wrote on the history of our family’s pets … It took him a week to piece everything together and I was very impressed with his work considering the short time frame. It’s definitely my favorite book of the year so far!

So my 12 year old son has created this cool PDF and then he goes on to ask me, “What’s the Blues Blogger written lately?” … Let’s put it this way … I didn’t have an answer for the boy … As I stood there with my ridiculous gaze, he continues, “You should really learn to improvise more, Dad.”

Ok … This got me thinking … His book is pretty damn good. His web site on is getting more hits than mine. Perhaps the kid is on to something. Maybe I’m thinking too much? Remembering a great quote from the past,

Life is a lot like jazz… its best when you improvise…
~ George Gershwin

I decided to make my next piece more a free flowing jazz oriented improvised … Let’s face it… I have no clue what I’m going to write … But it’s now Sunday January 13th, 2008 at 9:16 am and I have given myself two hours to write my next article, and in one sitting … In the spirit of the quote above I will place this piece in

New York City 1980

Shortly into the New Year my brother came off an 8 month music tour he did of Europe and Canada. After this rock stint, he moved into my apartment on the tracks in Long Island City, Queens … We hadn’t lived together in over 10 years, and it was great to finally hang out and get to know each other again. We were both in a great head space. We were doing things we both really loved and getting some recognition for it.

My hard work was paying off at the recording studio. While once doing more gopher related duties and setups on several cool gigs, I was given a different challenge. A huge jazz artist booked several weeks studio time, and I was instructed to look after things. The studio was mine and I was to manage the session.

Improvisation is the ability to talk to oneself.
~ Cecil Taylor

I need to come back to the present for a moment …

9:38 am … I think it’s important for this piece that I explain something … I do not want to disclose the names of the people involved in the session. I think the stories I write here should stand on their own merit; without having to attach celebrity names. It allows me to concentrate on the story rather than wasting time thinking I’m hurting somebody’s feelings … However, I will mention the odd name where business wasn’t involved …

Time to go back …

I wondered what the owner of the studio was thinking. It was definitely the biggest booking he ever had. Wanting me to basically live there for 3 weeks and manage this gentleman’s needs was a going to be a wild ride. I wasn’t star stuck … Perhaps that’s why he had me on the meet and greet … I guess I seemed able to keep my cool.

The session turned out to be a very interesting test for me as I had to arrange, pickup, move and deliver all types of gear. I met many musicians that at the time I truly admired …. I tried my best not to look too awestruck.

My brother came down one night during a brief hiatus. I still had to take and place calls and get everything ready for tomorrow. He was hanging out and then got distracted with some of the written music I was setting up on stands. Without thinking he grabbed a very prestigious musician’s guitar and started trying to play what was on the page.

BROTHER: “This is unbelievable … Bro this can’t be done.”
TBB: “Oh it will be done … It might cost my sanity. But he’ll make them do it.”

From that moment on, my brother realized that if he wanted to do any session work, he would need to learn to read music better … And boy did he ever study! He took lessons from Barry Galbraith one of the best teachers you could find. My brother really developed a more disciplined style and did a lot of gigs around town … Ones I will describe at a later date.


I start in the middle of a sentence and move both directions at once.
~ John Coltrane

As the session played out, I ended up getting along very well with everybody … I may have indulged a bit, but I never got out of hand. I had to keep myself in control. During one night of insanity, I was invited to see Elvin Jones who was playing in the village …

This had me really excited. While working selling vinyl albums in my teens, I read a lot about Elvin Jones on the sleeves. I had seen Tony Williams at The Bottom Line late last year, and now I was going to the village to see another living jazz legend.


made his move from Pontiac Michigan to New York in 1955 to audition for Benny Goodman. Instead, he ended up with Charles Mingus, and in subsequent years further developed his style with Bud Powell, Miles Davis, the Pepper Adams-Donald Byrd Quintet, Art Farmer and J.J. Johnson…

John Coltrane was touring in San Francisco when he flew back to New York to look for Elvin. Jones then joined one of jazz’ most celebrated artist. Through 1966, Elvin would go on to contribute to some of the most controversial, influential, and ultimately important music in jazz.

After leaving the John Coltrane Group, Jones led several bands in the late sixties and seventies that are considered highly influential groups. Notablely saxophonist and multi-instrumentalist Joe Farrell, Jimmy Garrison, Steve Grossman and Dave Liebman just to name a few …

I’ll play it first and tell you what it is later.
~ Miles Davis

The events leading up to me remembering that evening are somewhat cloudy for many reasons … I recall seeing this giant of a man improvising away with a bass and sax player that I cannot recall at the moment… Probably because Elvin Jones’ sense of timing and pure massive presence had me glued. The way he brought his drumset to the foreground. and his free-flowing style with that grunting was an incredible moment for me. A very fortunate perk I had during that session way back when.

Elvin Jones was a major influence on many leading rock drummers, including Mitch Mitchell and Ginger Baker. In 1999, Jones worked with Our Lady Peace on their album Happiness…Is Not a Fish That You Can Catch.and was featured on the song “Stealing Babies.”

In later years Jones continued to teach and often took part in clinics, played in schools, and gave free concerts in prisons. His lessons would incorporate music history as well as drumming technique.

After an incredible career, on May 18th, 2004 Jones died of heart failure in New Jersey … And now it seems like I am closing in on my two hour window for this article. I have a few more minutes left to publish it … It’s sure was a blast from my past.

11:12 am

If you have enjoyed this particular piece it is because of my son’s knack for improvising. I hope this can live up to beautiful memories he provided of me and our family pets. Sometimes I have a hard time expressing how I feel to the people who matter most, so this article is dedicated to my son, who I hope will help me improvise more as time moves on … Son I’m proud of you.

The Blues Blogger

It occurred to me by intuition, and music was the driving force behind that intuition. My discovery was the result of musical perception. (When asked about the theory of relativity)
~ Albert Einstein

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16 years ago

Great post … Really enjoyed that.