The Blues Blogger

“He’s my idea of an up-and-coming blues singer. I don’t see a lot of them out there, but I know one when I see him.” ~Elvin Bishop

It never fails! Whenever I’m writing an article and feeling under the weather, I’ll gaze at my monitor and eventually drift off on some nostalgic excursion. Usually my thought waves take me back to those soulful vinyl grooves of the sixties. That’s one of the biggest reasons why I love music; its ability to transport you back through time…

This weekend though my mind didn’t need to reflect too far back. Instead I got a combined dose of retro and fresh sounds from a new blues/soul release called Name The Day by John Nemeth; a brilliant singer/harp player that suited me perfectly.

John Nemeth

Originally from Boise, Idaho, Nemeth got his start singing in church. In his later teens he’d get his initiation to the blues when a friend introduced him to the music of Junior Wells. Like so many blues music lovers, (John Nemeth included) Wells and that classic Delmark release Hoodoo Man Blues had been a major influence.

Forming Fat John & The Three Slims with his friends while still in his teens, the band got a bit of name around the Boise area at the time. In 2002 Nemeth independently released his first CD called The Jack of Harps. Several years later, Nemeth moved to San Francisco and eventually released another independent disc titled Come and Get It. Backed by Junior Watson and his band; this would eventually lead to being signed by Blind Pig Records.

In 2007 Nemeth’s debut album Magic Touch came out on BPR and he earned a Blues Music Award nomination the following year for “Best New Artist Debut.” Afterward the very popular Love Me Tonight in 2009 would further ignite the performer’s career.

The first time I heard of John Nemeth he was featured on Elvin Bishop’s Grammy nominated The Blues Rolls On in 2008. Bishop was so taken with Nemeth’s vocal style that the guitar legend included him on four tracks.

“When John’s band opened for mine, I knew instantly that he had a great talent. His voice is a national treasure.” ~Junior Watson

John Nemeth’s third release for Blind Pig Records Name The Day is an extraordinary blend of blues and classic soul guaranteed to chase away those dreary sluggish demons that can interrupt your daze. Catchy tunes like the opener “Breaking Free” and the title track “Name The Day” set the tone perfectly; fine examples which showcase that vintage soulful sound. The album continues to roll with songs like the funky driven “Do You Really Want That Woman,” and the blues shuffle “Heartbreak with a Hammer.” All the songs featured on this record are original compositions with the only cover being “Home In Your Heart” which was written by Otis Blackwell and recorded by Solomon Burke.

Musicians

John Nemeth – vocals, harmonica
Austin DeLone – piano, organ
Mike Rinta – trombone
Ed Earley – background vocals
Bobby Welsh – guitar, piano
Steve Willis – background vocals
Frank Bailey – trumpet
Jake Smolowe – organ
Jeff Teczon – tenor saxophone
Nick Fishman – drums, percussion

Side A – Name The Day

Nemeth’s vocal chops and harp playing mixed together with those horn arrangements remind me of some of the classic R&B tunes I heard growing up in the sixties. Artists like James Brown, Sam & Dave as well as those early Buddy Guy sounds are just a few examples. The tasteful guitar textures and piano accompaniment also support Nemeth’s vocals beautifully. It’s really hard to sit still and be glum while listening to the energy and creativity of this awesome release.

And to keep with that vintage theme and the latest increase in vinyl sales, Blind Pig Records has released a 45 RPM single of Name The Day (Side A) and the gospel influenced tune Why Not Me. (Side B) A very cool thing to do for those vinyl music lovers old and new.

Side B – Why Not Me

The excellent musicianship on this record cleared some of the clouds that muddled around in my head. This once again supports one of my major themes on The Blues Blogger; the ability of music to make you feel good, and take you to a positive level you may not of thought possible at that given moment. I for one was caught off guard when I heard Name The Day this weekend. I didn’t know what to expect, but what I got was a soulful treat that is every bit as nostalgic as it is innovative. I feel much better now.

Have you heard of John Nemeth? What do you think of Nemeth’s blend of blues and “vintage soul?” I’d love to hear your thoughts!

The Blues Blogger

Latest Tour Schedule
(Times and dates subject to change. Please check John’s website for updated info.)

JUNE 2010

June 4, 2010 Mountain’s EdgeBend, OR
June 5, 2010 Pines Tasting RoomHood River, OR
June 6, 2010 Lola’s Room at the Crystal BallroomPortland, OR
June 9, 2010 Yale Hotel Vancouver, BC
June 10, 2010 Highway 99 Blues ClubSeattle, WA
June 11, 2010 The Upstage Port Townsend, WA
June 12, 2010 Crossroads Walla Walla, WA
June 15, 2010 Fat Fish Blue Kansas City, MO
June 16, 2010 Fat Fish Blue Kansas City, MO
June 18, 2010 Thunderbird Cafe Pittsburgh, PA
June 19, 2010 Honesdale Roots & Rhythm Festival Honesdale, PA
June 20, 2010 Ukrainian Cultural Center Whippany, NJ
June 24, 2010 Gilly’s Dayton, OH June 25, 2010The Clazel Bowling Green, OH
June 26, 2010 Blues For A Cure at North Star Golf Club Sunbury, OH
June 28, 2010 Fireside Cafe Wingham, ON
June 30, 2010 Montreal Jazz Festival Montreal, QC

JULY 2010

July 1, 2010 Infinity Music Hall Norfolk, CT
July 2, 2010 Harry’s Hyannis, MA
July 3, 2010 Harry’s Hyannis, MA
July 6, 2010 Treasure Lake Ski Lodge Dubois, PA
July 7, 2010 Kclinger’s Hanover, PA
July 8, 2010 Terra Blues New York, NY
July 10, 2010 North Atlantic Blues Festival Rockland, ME
July 11, 2010 Mt. Tremblant Blues Festival Mt.Tremblant, QC
July 16, 2010 Bogart Music Festival Urich, MO
July 17, 2010 Odie’s House of Blues Hot Springs, AR

AUGUST 2010

Aug 1, 2010 Bags In The Bay Blues Festival A Benefit for Save The Bay Emeryville, CA
Aug 14, 2010 Salmon Arm Roots & Blues Festival Salmon Arm, BC
Aug 15, 2010 Salmon Arm Roots & Blues Festival Salmon Arm, BC
Aug 21, 2010 Chenango Blues Festival Norwich, NY
Aug 22, 2010 White Mountain Boogie n’ Blues Festival Thornton, NH

SEPTEMBER 2010

Sept 9, 2010 Biscuits and Blues San Francisco, CA
Sept 10, 2010 Po Boyz Folsom, CA
Sept 11, 2010 Silo’s Wine Bar & Jazz Club Napa, CA

OCTOBER 2010

Oct 17-24, 2010 Pacific Blues Cruise w/ Elvin Bishop’s Raisin’ Hell Revue
www.BluesCruise.com San Diego, CA

Tags: Blues Music Awards, Blues News, Blues Reflections, New Releases, Reviews, Soul, blues by The Blues Blogger
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Today would have been Robert Johnson’s 99th birthday. I’m not sure what I could ever say about Johnson that hasn’t been said, written or played before. I wanted to put together a post to commemorate the day. But I really didn’t know where to begin, and how to put together something concise that was educational and entertaining in one blog post.

So I decided to do something a little different.

There’s a film called “Stop Breakin’ Down” by Glenn Marzano. This was completed as a thesis project when Marzano was a student at Loyola Marymount University in 1999.

His Synopsis: Who was Robert Johnson?

Everyone who has read, listened or played a Johnson tune, has their viewpoint. The film looks at these varying opinions, and is built around the night of his murder utilizing flashbacks, his relationship with Son House, and two reasons for his rapid guitar skills… One of those being the infamous crossroad legend.

I’ve included Marzano’s full 25 minute short film in this post. It’s extremely well done and thought you might enjoy the story. There are links just below the film that give more information about the project. Please feel free to explore.

Do you have a favorite Robert Johnson song or story? What do you think of the idea of featuring more short films here? I love to hear your comments!

The Blues Blogger

Tags: Blues News, Blues Reflections, Film, Reflections, blues by The Blues Blogger
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The following article was originally featured Dec 3rd, 2007 on blogcritics.org. Coincidentally a few weeks later, Little Walter was inducted into The Rock N Roll Hall of Fame. The timing made this a very popular piece… As May 1,2010 would have been Little Walter’s 80th birthday, I’ve re-posted the article adding the video below for any of my readers who might have missed it the first time around. ~tbb

Rehearsal 1968

I love Saturdays… In the basement of our house we were getting ready for another band rehearsal in the afternoon, and there was no place I would rather be. However, there were a few other things that captured my attention. I didn’t have many, but they were some shows on TV I liked to watch. Programs like Underdog, The Flintstones, Spiderman, Journey to the Center of the Earth, and then American Bandstand. Why not? After all, I was only eight.

My brother and I would have canned spaghetti for lunch. After that he’d indulge in a piece of chocolate cake and a slice of processed cheese, which made me wince with disgust.

While helping setup for practice, I would pay close attention to what needed to be done, and learn as much as possible.

BROTHER: Whatever you do, don’t fart around with the gear. I’m serious.

TBB: Don’t worry. I wouldn’t think of messing with everyone’s stuff.

BROTHER: The last time I left you alone you bit my guitar. I see those bucktooth marks every time I play.

TBB: That was years ago… Besides it adds some character.

BROTHER: That type of character I can do without.

My brother had to leave for a while to get something that can only be left to the imagination. My parents were at work and my sister was nowhere to be seen. No one thought much of leaving a kid alone for a few hours back then. Besides I could be trusted. I was left alone to gawk at all the gear. But I would never think of actually sitting down by the drum kit… Well… maybe just a few snaps on the snare…

It sounded good to pound away at the drums. I would imagine I was Gene Krupa and continued to hammer away… How terrible I must have sounded. But it sure felt great… I then went to the bass guitar, picked it up, took a seat and plugged into the amp. Cranking the volume I plucked away at a few of the strings and decided to stop when a bit of plaster came off the ceiling and landed onto the floor… Hmm… maybe I should clean that up.

I grabbed my harmonica that I received as a gift… Hovering over our Admiral console player I found a 45 already on the turntable. It was a Checker Records single called “Key to the Highway” by Little Walter. Placing the stylus in its groove, I positioned the harmonica close to the mike and played along… Who was this Little Walter I thought? He was amazing. I would amuse myself by playing along; getting lost in my imagination. He was unlike any harp player I heard before. Little Walter breathed life into an instrument that I only knew as a toy.

I often thought to myself how cool it would be to actually play music, but those were only fleeting moments. Truthfully I wasn’t interested in being a musician. I wanted to do something different. I wasn’t sure what it was I wanted to do, but I knew it had to involve music.

I finished up my little session and by the time I tidied up, the boys came barreling down the stairs eager to rehearse.

DRUMMER: (sitting down on stool) What’s this white crap on my kit?

BASS PLAYER: (concerned) Hey kid … Where’s your sister?

TBB: I don’t think she’ll bug you … She’s not home.

BASS PLAYER: (relieved) That’s good… I don’t think that chick likes me.

I briefly asked the guys about Little Walter and they told me a little bit about him. They mentioned he died in a street fight in Chicago. What a terrible outcome for such a talented musician. He was only 37. My brother and his friends were working on a few of his tunes. One of those songs was Key to the Highway, which Walter did a version of.

The other song was called Off The Wall. It was the first song on their list to go through. The rehearsal went on for almost 2 hours, and I listened with enthusiastic interest.

Walter Marion Jacobs

known as Little Walter was born May 1, 1930 in Marksville, Louisiana. He taught himself harmonica at the age of 8. After quitting school at 12, Jacobs left Louisiana and traveled wherever his mood took him. He would work at all types of jobs and busk on the streets of New Orleans, Memphis and St. Louis. Little Walter would later honed his skills with great blues man like Sonny Boy Williamson and Big Bill Broonzy, who originally wrote Key to the Highway.

In 1948 Little Walter hooked up with Muddy Waters, and while playing in the Chicago clubs, helped define electric blues. Walter played the amplified harmonica by holding a small microphone in his cupped hands, and achieved a saxophone like sound that expressed his highly creative improvisations. Walter’s ground-breaking playing and distinguishing sound contributed deeply to Muddy’s recordings of the early 1950’s.

The tunes my brother’s band was rehearsing at that time were more from Little Walter’s solo career which began in 1952. Walter formed a group called The Jukes with David and Louis Myers on guitars and Fred Below on drums. This trio were known as The Aces and had been working previously with Junior Wells.

A Loud F Sharp Came From Upstairs

Sometime during rehearsal my sister came home. Storming down the stairs right in the middle of one of the tunes she sneered directly at the bass player. She then yanked the cord from his amp and the outlet almost came off the wall. They continued without missing a beat even though the whole bottom end disappeared. As my sister briskly went back upstairs you could now hear in the distance The Monkees “Last Train to Clarksville” blend into the missing bottom end. This always signified the end of practice for the day.

From 1952 to 1968 Little Walter recorded about 100 titles of which about half were issued on record as of the early 1970’s. Previously unreleased material has made its way to CD’s, and is a great tribute. For a brief time frame in 1964 Little Walter did a tour of England with The Rolling Stones. The years during and after these times were not glorious and would eventually end in his tragic death.

Little Walter inspired artists like Clapton to Butterfield and many other great musicians of our time. I feel very fortunate to have such rich memories and Little Walter is one of those special musicians that helped influence my love for the blues.

It’s been over 40 years since we lost Little Walter. Do you have a memory or favorite Little Walter song? Can you recall a harp player that amplified his sound prior? Feel free to add your comments.

The Blues Blogger

Tags: Blues Reflections, Reflections, The Sixties, blues by The Blues Blogger
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