February 6, 2011
As my 15 year old son and I settled in to watch the Super Bowl last week, we were surrounded by an assortment of munchies on the table in front of us. Unfortunately I was feeling a little down, and my son was rather fretful about my demeanor. This was the Super Bowl and there was no reason to be bummed…
I told my son that earlier in the day I heard the news about the death of Gary Moore. He was one of my favorite guitar players and that was the reason I felt rather cheerless. “Dad you need to write something. It might make you feel better,” he replied. I knew he was right, but what would I say that could do proper justice to a player that so many others had long admired? Wincing with awe makes for difficult adjectives at times.
It took a week, but I soon realized I was never going to get the right words that would articulate my appreciation for Gary Moore. He will forever stand out as one of those musicians that had a unique blend of versatility, tone and technique. And he did it with immense emotion. I decided not to over-think things and just do my best to weave together a brief tribute to a man who provided so many years of listening pleasure.
The Super Bowl
was well underway now and Green Bay was looking strong. I caught a side glimpse of my son, and I thought to myself that I was approximately his current age when I first came across Gary Moore’s music.
Then I started to drift off into one of my reflective moments from the past…
This was a memorable year for me. I was going to high school and I also worked at a record store on the weekends. I would also discover new aspects of life like driving a car, different styles of music, making new friends, I got more involved with recording gear, and of course there were girls.
One of the things I also enjoyed was vinyl album art. Those covers act like time capsules; capable of taking you back to memories of yesteryear. It was this fascination that introduced me to an LP called Strange New Flesh by Colosseum II. My initial introduction to Gary Moore was on this record. And it was some of those new fusion, progressive rock and jazz sounds that became a new source for memories that would eventually act as a link to my mid to late teenage years.
I would buy LP’s like Strange New Flesh, and when I got home, crank the volume on my stereo in my room; playing songs like “Darker Side of the Moog.” And in doing so, drive my father absolutely crazy!
(Now, if you had to pick a few songs that take you back to some of your mid-teenage years, do you know what they’d be?)
For me I can clearly name two and they were both released in 1976. One is “Fooled Around and Fell in Love,” by Elvin Bishop and the other would be “The Boys are Back in Town” by Thin Lizzy. These are two staples from a time that metaphorically provides the bridge I crossed leading me to paths beyond teenage innocence.
Gary Moore With Thin Lizzy 1978
Gary Moore Dublin 2008
Born in Belfast Ireland on April 4th, 1952, he started playing music at the age of 8, and developed his style right handed despite being a lefty. He was influenced by the likes of Elvis Presley and The Beatles, and then later by musicians like Jimi Hendrix and John Mayall, which opened him up to the art of the blues.
Aspiring to become a musician, Moore moved to Dublin at 16 and joined Skid Row, along with Phil Lynott. In 1973 Moore would once again unite with Lynott but this time in the band Thin Lizzy.
Moore became the protégé of blues pioneer Peter Green, who he admired since the days of the Blues Breakers. He even obtained some of his guitars when Green quit the music scene. Many of Moore’s albums features Green’s famous sounding 1959 Gibson Les Paul, and attributed to his identifiable sound and voicing. It was Peter Green that helped mold the career of the young Moore, and his deep appreciation of Green can be heard on his album, “Blues for Greeny.”
He sustained a career that received the respect of all the major players, including the likes of blues man B.B. King and many others who Moore graced the stage with.
Gary Moore preferred to better his technique and expose his true self rather than enjoy commercial success. After a string of rock records, Moore returned to blues music with Still Got the Blues, with contributions from Albert King, Albert Collins and George Harrison. This was his most successful and critically acclaimed album. And is a must buy for any electric blues fan who likes their blues with an extra punch.
He continued his blues recordings until 1997, when he decided to experiment with contemporary dance beats on Dark Days in Paradise. With Back to the Blues, Moore return to his tried and tested blues format in 2001 and continued with this style on Power of the Blues (2004), Old New Ballads Blues (2006), Close As You Get (2007) and his last recording Bad For You Baby (2008).
The Football Game
got more interesting in the second half as we all know. And as I started to get more involved, it took my mind off some of the things that were on my mind. And by the end of the game I was feeling a little better. My son was right when he reminded me that writing, along with positive memories would be good medicine.
Moore’s ability to hold his own amongst such influential company as shown in these videos is a testament to his enormous talent and respectability. He will forever be missed, but his music will live on in the hearts and souls of the people he touched forever.
There are so many musical moments in Gary Moore’s career which are impossible to cover in just one blog post. Perhaps we can continue our thoughts by including them in the comment area below. What are some of your favorite songs performed by Gary Moore? Do you have any stories about Gary you’d like to share?
The Blues Blogger
Boys are back in town is my memories of this player,Gary Moore..but to see him play with legends like Albert King and Albert Collins is totally awesome…never knew he had all those contacts..a fine article you got here..a nice tribute indeed…thank you for this…
…. a fantastic review of the guitar legend Gary Moore…. thank you so much for taking the time to showcase his awesome talent !!..I keep thinking I saw him live during one of the 5 Frampton Comes Alive tours…. solo with a band… does “My Love is Alive” ring a bell…. I don’t think that was a Frampton song…. damn long term memory isn’t so long term I guess !! Thanks again Blues Blogger !! I know Gary had a string of hits on his own…. back into rock and blues history I go now !!
A great tribute Article to one of the best blues/rock guitarists of our generation.
I have been a been a fan too, ever since I heard, “Still got the Blues, ” I agree one of his best Albums.
A friend on SU, who is very keen on him, has sent me many shares from You tube, so those of you who don’t know him take a peak and you will be pleasantly surprised.
A great loss.
Great job BB I will share this with my readers and fans. Awesome! xxoo KIM
one of the best blues players left the stages, but not our minds … it was a shock for me to hear of his death … his music, the album Still got the blues, was my first introduction to blues – blues rock music, and I was immediately hooked … i can still remember the day i drank coffe in a bar and heard something .. asked the bartender “who is that” and stayed there untill the last song ended…. a couple of days later i looked for the album in a local music store… great, great music from a great man! thank you.
Thank you!!! Gary was one of my favorites also and I still listen to ” Blues for Greeny” on a regular bases.
PS. … my comment of seeing Gary Moore on the Frampton Comes Alive Tour; correction: That was Gary Wright I saw, a totally different person and definitely not the same type of music as Moore !! Sorry ’bout that; long term memory loss !!
One of the best blues/rock guitarists
I am a big fan , , “”Stiill got the blues “”was great !!
It has been a big loss
In my opinion, the world lost a unique legend. There may be faster guitarists out there, but I couldn’t think of any who even come close to Gary’s incredible blend of perfect technique and soul. My favourite songs are “Story of the Blues” and “No reason to cry”. Moore’s solos in these songs seem to be ethereal, not of this world. There’s just so much feeling in each note, an intensity I haven’t heard from any other guitar virtuoso. I saw Gary live four times and deeply regret not having made the trip to the Netherlands in 2010 to see him again, thinking that there would be other occasions to see and hear him live closer to my home. Sadly for me and the world, I was wrong.
Thanks for all the wonderful comments so far…
Here’s a clip from the upcoming documentary on Gary called “White Knuckles And Blue Moods.” This is something that’s been in the works for some time now. And is not an attempt to cash-in on his death… I’m looking forward to the documentary when it comes out towards the end of this year.
Lots of great memories in this.